Word: erland
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...while paying Hamlet's father. But Alexander never becomes Hamlet and his mother never truly becomes the deluded Gertrude. Instead, Alexander withstands his father's appearance, and his mother fights for her own escape. Through the semi-occult figure of Grandmother Helena's former lover, the grizzeled Jew Isak (Erland Josephson), the escape proceeds and the magic becomes more pronounced...
...servant, Justina (a delicious turn by Harriet Andersson), has the butch haircut and sadistic ca prices of a prison-camp guard. In this house of silent horror the children can take refuge only in dreams of escape - to the arms of an old family friend, the Jew Isak Jacobi (Erland Josephson), whose house has some old, dark secrets that, in the mind of a child, can seem as exciting as black magic...
...land pockmarked by dilapidated apartment developments. The characters are the Italian American high school kids who belong to the Wanderers, a gang that is forever rumbling with black and Chinese rivals as well as with a grotesque bunch named the Fordham Baldies, led by the enormous Erland van Lidth de Jeude. Between the skirmishes, the movie charts typical teenage rituals. Even the Wanderers must cope, in their own semiverbal way, with parents, love, sex and the prospect of leaving home...
...superb. Liv Ullmann's performance is, as always, extraordinarily sensitive. The excessive use of close-ups works against her at times. No matter how gifted an actor may be, the finite set of possible facial expressions can only provide a crude approximation of what is going on inside. Erland Josephson also gives a remarkable performance--better even than in Scenes from a Marriage--as Tomas, Jenny's friend, and later her doctor. And again, the details of Jenny's collapse are convincing...
Face to Face is about a life-and-death struggle in which neither of the alternatives has commanding force. Erland Josephson, who played the husband in Scenes from a Marriage, makes an intelligent, forbearing Tomas, but the movie belongs to Liv Ullmann. She has never been better. Her Jenny is a definitive rendering of an emotional descent into hell. Many actresses have attempted this, but watching Ullmann do it, we realize how few have done it well. Hers is an intelligent, devastating performance. Ullmann's little smile of unsettled wellbeing, the desperation and desolation of her hysteria, are achieved...