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Word: ernste (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Critical Care tells the story of Dr. Werner Ernst (a groggy James Spader) a young gun working in an ultra high-tech intensive care unit who's looking to make it big. That is, he's looking to get rich and sleep with as many women as possible on the way up. Ernst spends his days tending to patients whose state of health runs the gamut from vegetative to permanently comatose-a foreshadowing of the film's extremely limited scope. His one patient who is actually conscious is a terminally ill dialysis case (played with stunning grace by Jeffery Wright...

Author: By Jordan I. Fox, CONTRIBUTING WRITER | Title: Sidney, Baby, We Gotta Talk | 11/7/1997 | See Source »

Together with Warren Professor of American History Ernst R. May, who is on leave this semester, Zelikow has produced a definitive transcript of tapes of White House decision-making meetings from the Cold...

Author: By Erwin R. Rosinberg, CRIMSON STAFF WRITER | Title: Cold War Warrior Listens To Kennedy | 9/18/1997 | See Source »

...biggest cover-your-ass thing you could imagine," says Wang. "People would send these things just so they could say, 'But I copied you on that.'" Now companies such as SmithKline Beecham are tightening the spigot by encouraging employees to limit the number of CCs they send. At Ernst & Young, systemwide messages (to everyone) are verboten...

Author: /time Magazine | Title: LOST IN THE E-MAIL | 4/21/1997 | See Source »

Other artists, however, were already a little past their prime. Ernst's paintings in America, with their ambiguous figures emerging like dream images from runny, blotted, metamorphic landscapes, hardly compare with his work in the 1920s. And though Chagall's Yellow Crucifixion, 1943, swarms with images of contemporary loss and persecution--the burning shtetl, the fleeing refugees, the sinking torpedoed ship--its formal softness indicates the turn his work would take after the war toward pious ethno-kitsch...

Author: /time Magazine | Title: ART: A CULTURAL GIFT FROM HITLER | 3/24/1997 | See Source »

...exiles most deeply affected by American culture were not painters at all but writers, musicians and directors, from Bertolt Brecht to Arnold Schoenberg, Ernst Lubitsch and Thomas Mann, who gravitated to Los Angeles, worked fitfully but sometimes successfully for the movies and for a while between the Anschluss and the McCarthy years made that palmy city into an extension of the Berlin, the Vienna they had lost. "It is wonderful here on the Pacific, and life is a thousand times better here than in New York," wrote the great director Max Reinhardt to his son. "But I grew...

Author: /time Magazine | Title: ART: A CULTURAL GIFT FROM HITLER | 3/24/1997 | See Source »

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