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...Growth of Biological Thought, by Ernst Mayr, professor of Zoology emeritus...

Author: By Mary Humes and Rebecca J. Joseph, S | Title: The Leisure of the Theory Class | 5/26/1982 | See Source »

Around 200,000 B.C. man evolved into the magical stage. Here we have an ego developing, but it is more of a body-ego than a mental ego. Most of the conclusions Wilber makes about this era are based on the speculations of others, such as Joseph Campbell and Ernst Cassifer. Historical Explanation is always a risky business and many of the educated guesses Wilber makes about events 200 millennia ago should be treated as such...

Author: By Martin S. Barnett, | Title: Explaining the Universe | 5/14/1982 | See Source »

...great convalescents: Cavafy, Leopardi, Proust. The city was his sanatorium and, as a fabricator of images that spoke of frustration, tension and ritualized memory, he had no equal. No wonder the surrealists adored his early work and adopted its strategies wholesale. The "illusionist" painters among them, Dali, Ernst, Tanguy and Magritte, all came out of early De Chirico, a lineage astutely discussed by Laura Rosenstock in the catalogue; and as another contributor, Wieland Schmied, points out, German painters in the '20s like George Grosz used Chirican motifs to express their vision of an estranged urban world in social dislocation...

Author: /time Magazine | Title: Art: The Enigmas of De Chirico | 4/12/1982 | See Source »

...worthy of the name of artist must exact the recognition of his merit." Paris took young De Chirico, as it took young Chagall, and turned him from a naive provincial fabulist into a major painter. His "metaphysical" constructions, such as The Jewish Angel, 1916, certainly influenced Max Ernst. Just as certainly, they came out of the cubist sculpture De Chirico saw all over the Paris studios after 1912. De Chirico is often said to have used Renaissance space in his pictures, but, as Rubin points out, this is a myth. Chirican perspective was not meant to set the viewer...

Author: /time Magazine | Title: Art: The Enigmas of De Chirico | 4/12/1982 | See Source »

...boredom to Samuel Beckett's Endgame and Godot. Cantor's penchant for citing his predecessors aggravates the problem. He quotes Norman O. Brown on Hegel in reference to Beckett's plays to bolster his own assertion, not explained further, that "time is negativity"; he quotes Frederic Jameson on Ernst Block on Marxism. Two comments on Beckett are separated by the sentence, "Krazy Kat hopes that someday Ignatz Mouse will love her (him); much ingenuity must be used in reinterpreting the meaning of the brick that conks her on the head." It all has something to do with nihilism, clearly...

Author: By Amy E. Schwartz, | Title: Beyond History and Lit | 3/13/1982 | See Source »

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