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Word: ernsting (lookup in dictionary) (lookup stats)
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Tyng teamed up with ace pitcher H.C. Ernst to form one of the greatest batteries in Crimson baseball history. Ernst, who in 1876 had twirled the first no-hitter ever by a Harvard pitcher, was adept at throwing the curve. The pitch had been developed by W. Arthur Cummings of the Stars of Brooklyn team...

Author: By Robert Sidorsky, | Title: How Harvard Invented the Tools of Ignorance | 4/24/1979 | See Source »

...Ernst graduated in 1876 before Tyng began to catch, but he too continued to play for the varsity while attending the Medical School. The tandem successfully teamed up throughout 1877 and 1878, but by 1879 both had lost touch with baseball and had stopped playing...

Author: By Robert Sidorsky, | Title: How Harvard Invented the Tools of Ignorance | 4/24/1979 | See Source »

...batsmen's record stood at 3-10 midway through the 1879 season when, the night before a game against Yale, the captain and two other members of the team came over to Ernst's room and threatened to forfeit the game if he did not pitch. Naturally, Ernst consented and then Tyng too was persuaded to play. With the invincible battery of Ernst pitching and Tyng behind the plate, Harvard blanked the Elis 2-0 in that game played exactly 100 years...

Author: By Robert Sidorsky, | Title: How Harvard Invented the Tools of Ignorance | 4/24/1979 | See Source »

...showed how far Magritte's real gifts lay from the orthodox processes of modernism. Nor did his first essays in the surrealist manner, done in 1925-26, indicate much about the artist to come; they are, for the most part, grab bags of motifs from other painters, chiefly Ernst and Giorgio de Chirico...

Author: /time Magazine | Title: Art: Enter the Stolid Enchanter | 3/5/1979 | See Source »

...turning point was 1927, when he went to live in Paris. There, immersed in the surrealist movement, he was no longer a provincial spectator. And he quickly realized where his contribution to it might lie: not in the exploitation of chance and random effects, like Masson or Ernst, still less in exoticism and neurosis, like Dali, but in hallucinatory ordinariness. One of the obsessions of surrealism was the way inexplicable events intruded into everyday life. With his dry, matter-of-fact technique, Magritte painted things so ordinary that they might have come from a phrase book: an apple, a comb...

Author: /time Magazine | Title: Art: Enter the Stolid Enchanter | 3/5/1979 | See Source »

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