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...dinner before the museum opening, Director of Collections Alfred Barr tapped his wine glass for attention, rose to reminisce: "I think I first heard the name of Bob Motherwell back in the 1940's from the surrealists, Marcel Duchamp, Max Ernst, André Breton. And to hear them describe him, he was then like some young Lochinvar come out of the west." Last week Robert Motherwell went back in triumph to Manhattan's Museum of Modern Art to receive its greatest accolade: a one-man show, with 87 canvases, collages and drawings, including two outsize abstract canvases never...

Author: /time Magazine | Title: Painting: Lochinvar's Return | 10/8/1965 | See Source »

...fine! If they don't, I ring the bell again a year later." For Italy's Egidio Costantini, a balding man in his 50s, this persistent bell ringing has opened the doors of some of the world's most renowned artists-Oskar Kokoschka, Jean Arp, Max Ernst, Luis Fontana, Yves Klein, Jean Cocteau, Picasso. No avid autograph seeker nor voracious collector, Costantini is a contemporary Venetian visionary out to restore the grandeur that was glass four centuries ago (see color...

Author: /time Magazine | Title: Crafts: Melodies for the Eye | 9/17/1965 | See Source »

...model in hand, he seeks out the glass blower he feels particularly suited to the work. "We drink a glass of wine and talk," he says, "then another glass of wine and talk some more." Costantini selects the colors, and the tortuous work of blowing and shaping begins. For Ernst's tall, reddish-brown Poet, topped by a sharp-beaked head with a hole for an eye, the glassworker at some stages had the equivalent of a 100-lb. weight at the end of his long metal blowpipe. Le Corbusier's amber Bucrane went through 26 failures, costing...

Author: /time Magazine | Title: Crafts: Melodies for the Eye | 9/17/1965 | See Source »

After the intermission, thoough, the pace increased. A set of seven chorale preludes by Ernst Pepping--a relatively un-of the second half of the proknown contemporary musician--could have been the highlight of the second half of the program, with its delightful melodies and excellent idiomatic use of the organ. But the chorales were overshadowed immediately by the next number, Charles Ives' Variations on "America" (1891). If Mr. Biggs ever decides to make a recording with audience reaction, this should be his first selection. Not only does Ives impishly turn the tune into a music box ditty, an overembellished...

Author: By Ruth Tutelman, | Title: E. Power Biggs | 8/11/1965 | See Source »

...Bones About It. Behind this Triumph is Executive Director Herbert Braun, 55, a shy and ascetic "Herr Doktor" (economics and social sciences), who seized the hardly new idea that bras and girdles should be attractive as well as functional. Braun hired Designer Heinrich Ernst Hoelscher in 1955 to re-engineer the company's products along lines that had already been adopted in the U.S. The men could do little to change the clumsy German name for the bra-Büstenhalter-but they did alter the garment itself. Out came deeply plunging bras made of stretchable synthetics with less...

Author: /time Magazine | Title: West Germany: Boom in Bustenhalter | 7/23/1965 | See Source »

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