Word: ernstli
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DIED. Julien Levy, 75, influential art dealer and writer whose gallery was a center during the 1930s and '40s for surrealism and neoromanticism, presenting the first New York exhibitions of such artists as Max Ernst, Alberto Giacometti, Arshile Gorky, Man Ray and Joseph Cornell; in New Haven, Conn...
...miniature stage, containing strange images like a diorama of another world, was one of the favorite devices of surrealism, used incessantly from Max Ernst in the '20s to Joseph Cornell in the '40s. Nevelson gave it a unique density and gravity. She took the box's power as theater and subjected it to a constructivist rigor of formal layout. The past life of the wood pieces was still apparent: the nicks and flaws, the signs of use and disuse, all preserved and yet held at an emotional distance by the pall of black. But her instinct...
...public entered the exhibition through the men's lavatory and was greeted by a girl in communion dress reciting obscene poetry. Once inside, visitors were invited to destroy a wooden sculpture by Ernst with a hatchet provided for the purpose and to contemplate, among other entries, Baargeld's "Fluidaskeptrik," an aquarium containing red water, simulating blood, an alarm clock, a wooden arm reaching out of the water on the surface of which floated a women...
...recognition of the potential of art for political statement was only one aspect of the Dadaists' way of looking at art. In seeking to revivify art the Dadaists created an aesthetic of aggression, art that screamed at the viewer. Chaotic images such as Max Ernst's paining "Explosion" and his "Massacre of the Innocents," in which figures fell toward the edges of the paper, are evidence of a new, outer-directed approach to composition...
...works in the ICA show reveal the formal similarities of much Dadaist graphic art to contemporary examples. The Dadaists experimented with the nature of graphic communication, mixing typefaces and altering size and scale. Ernst's poster "Dada Zeigt!" (Dada Wins!) uses assorted lettering with unrelated symbols--a rope, a bed, a cow, a housewife. The asymmetric anarchic quality of such compositions also characterizes contemporary New Wave graphics. This aesthetic, which has sprung up alongside of punk music and fashion, is characterized by the juxtaposition of disparate forms, symbols and lettering in designs that often are consciously crooked, random and askew...