Word: ernsts
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News of Seereeram's investigations surfaced in the local press, and Citibank took out full-page ads in Port-of-Spain's daily newspapers in January 2001 defending its reputation. Citibank had commissioned Ernst & Young to conduct "an independent analysis of the entire transaction," the ads said. "The Ernst & Young report corroborates Citibank's own findings, that the 1993 transaction with Trintomar was fair, reasonable and appropriate...
...jumping off the waves. In Germany, Van Gogh and Matisse inspired so-called Expressionism, and the Merzbacher collection has 40 examples from the two groups of artists that pioneered the movement. The first, based in Dresden, called itself Die Brücke (The Bridge). The paintings of Erich Heckel, Ernst-Ludwig Kirchner and Karl Schmidt-Rottluf look like a clash of Van Gogh meeting Nietzsche: fierce color contrasts are used to depict a passionate intensity. In Heckel's Red Roofs (1909), the evening scarlet of the tiles spreads out across the flaming sky, where flicks of royal blue dance recklessly...
...group portrait Max Ernst painted of his Surrealist mates in 1922, Rendezvous Among Friends, shows all l7 of them then - as well as Renaissance master Raphael in a cameo appearance - posing in suits and ties beneath some peaks of the Tyrolean Alps. Writer-artist Breton poses in the middle with his arm upraised to show who's boss. It was Breton who cracked the whip, writing in 1928: "Beauty will be convulsive, or it will...
...show gives due attention to Surrealism's initial period of automatism, which by means of rubbings, collages, and trance-like binges of "automatic writing" sought to capture pure, unconscious impulse. In 1923 Ernst took time off from automatism to paint his big surprising "lost mural," At The First Clear Word, on two adjoining bedroom walls of Surrealist poet Paul Eluard's house outside Paris. The show reunites the long-separated panels for the first time, to tantalize us with apparent riddles about the ménage à trois in which Ernst and Eluard were engaged with Eluard's beautiful wife...
...close to the Surrealists, as demonstrated by such works as The Kiss and the bulbous, dismembered forms in Woman Throwing a Stone, which is said to owe a lot to Miró. But after about 10 years he went his own way. Spies was a close friend of both Ernst and Picasso in the 1960s and recalls stark differences. "Ernst was utterly cultivated. I remember he was always reading - poetry, natural science, everything. Picasso? I felt he could have lifted a book to his eyes without opening it and absorbed it through its cover with instant X-ray vision...