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Sweet Eros and Witness--Two one-acters by Terrence McNally, notable for their spasmodic blasts of humor and the most extended nude sequence to date to appear on a New York stage. At the GRAMERCY ARTS, 138 E. 27th St. (OR 9-7665).

Author: NO WRITER ATTRIBUTED | Title: Christmas in New York: The Plays to See | 12/20/1968 | See Source »

SWEET EROS and WITNESS. Nudity is the theatrical vogue at the moment, and in the first of these two one-acters. Playwright Terrence McNally has his psychopathic hero strip Sally Kirkland to the buff and keep her that way. The second and better play is a caustic, comic look at...

Author: /time Magazine | Title: Television: Dec. 13, 1968 | 12/13/1968 | See Source »

Unless one happens to be a voyeur, it is sexier to imagine plays with nudes than to actually see them. Sweet Eros is no exception to this rule, even though the naked girl (Sally Kirkland) in this off-Broadway one-acter by Terrence Mc-Nally is on view for almost...

Author: /time Magazine | Title: Theater: Nudes and Nihilism | 11/29/1968 | See Source »

Fortas' interpretations vary, depending on the case. In 1966, he voted with the 5-to-4 majority to uphold the conviction of Eros Publisher Ralph Ginzburg on grounds that he pandered to prurient interests by using overly suggestive advertising. But that did not make much of an impression upon...

Author: /time Magazine | Title: The Congress: The Fortas Film Festival | 9/20/1968 | See Source »

A Leaf for the Patron. One striking example is the sort of drama presented by Berman, 26, a kinetic, spade-bearded expatriate from Maine. Devoted to what he calls "the Theater of Eros," he is at work on a six-playlet cycle under the collective title of Kiss My .... He...

Author: /time Magazine | Title: Theater: LONDON STAGE: FOSSILS AND FERMENT | 8/9/1968 | See Source »

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