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The most radical departure in postwar American art was undoubtedly Jackson Pollock's drip painting--those skeins and lashes of pigment falling on the canvas with uncanny grace and energy. But his fellow Abstract Expressionist Willem de Kooning (1904-97) brought into painting a new sense of the contradictions of...

Author: /time Magazine | Title: BREAKING THE MOLD | 5/21/1997 | See Source »

DIED. MARCO FERRERI, 68, satirical Italian director who explored the human appetite in all its savage absurdity; of a heart attack; in Paris. Morality runs amuck in Ferreri's erotic works. In The Conjugal Bed (1963), a groom is consumed by his wife's lust; in The Grande Bouffe (1973...

Author: /time Magazine | Title: Milestones May 19, 1997 | 5/19/1997 | See Source »

Part of the richness of A Midsummer Night's Dream is that it is constructed of many disparate elements: it is equal parts poetic enchantment, serious themes, erotic play and broad belly laughs. The Hyperion players understand the importance of balancing these themes, and execute each level of the play...

Author: By Susannah R. Mandel, | Title: A Luminous Open-Air Performance of One of the Greatest Comedies of All | 5/9/1997 | See Source »

The erotic drive in this performance derives largely from the magnificent performances of William Burke '99 as Oberon and Michelle McEwen '00 as Titania, the warring king and queen of the fairy court, whose power struggles in the forest on Midsummer's Night lead to the comedic sexual mishaps that...

Author: By Susannah R. Mandel, | Title: A Luminous Open-Air Performance of One of the Greatest Comedies of All | 5/9/1997 | See Source »

The second piece was "Fandango," choreographed by Lar Lubovitch in 1990. Set to Maurice Ravel's Bolero, this piece was a dance for two, performed by Elizabeth Roxas and Leonard Meek. Clad in black midriff shirts and black tights ending in bare feet, they began with their arms and bodies...

Author: By Christiana Briggs, | Title: Alvin Ailey Dazzles & Delights | 5/1/1997 | See Source »

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