Word: errol
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Antony J. Blinken and Errol T. Louis criticize Harvard students in the most self-righteous manner (3/14/83), yet fail to examine why there was such a great reaction to the cancellation and reinstatement of Bloom County. When I want to write about the Core Curriculum I will write to President Bok. When I want to write about the arms control debate I will write to President Reagan. Harvard students are not apathetic and the indictment made by Blinken and Louis that they are was done in a less than responsible manner. Martia Reichel...
...rehashing this standard line in their self-congratulatory editorial of Monday morning, editors Antony Blinken and Errol Louis have displayed an annoying misconception about the purpose of The Crimson. I do not mean to suggest The Crimson tends to hold incorrect, antagonistic, unrepresentative views. While The Crimson tends to reflect my own views, it need not (as so many, like our friends at the Salient, suggest) represent a cross-section of the campus. And The Crimson clearly recognizes its 'best'--Harvard, Cambridge, and academics--and covers it very well. But the editors are indulging in wishful thinking if they believe...
...writing in reference to Errol Louis' "expose" on Gandhi. I cannot help admiring Mr. Louis good intentions in spreading the truth about Gandhi but some of the points he makes need to be commented upon. No one denies that the movie glosses over Gandhi's life, least of all the Indians, but his implication that the movie is simply a piece of political propaganda by the Indian Government is ludicrous as is the notion of Richard Attenborough being an Indian "agent" hired to defame Jinnah. The partial funding of the film by the government was a profitable financial investment...
With the loss of Doonesbury, the reasons for reading The Crimson in the morning seemed to have withered to none. But leave it to the brilliant editorial staff (in the guise of Errol T. Louis) to bring back another Crimson tradition which appeared to be dying out with the graduation of "Red Bill"--the infuriating, nonsensical, and generally banal leftist editorial...
Spindly, pallid, shrewd, vulnerable and yet rather grand, he appears at his sweetly domineering best in My Favorite Year (1954, by the way). The role is that of an Errol Flynn-like movie star named Alan Swann whose swash has buckled to the point where the IRS is forcing him to choose between deportation and a back-tax-paying appearance on a TV comedy program. This show bears a more than coincidental resemblance to Sid Caesar's old Your Show of Shows. The perils it presents to a man whose joints have been vulcanized by excesses of meaningful booze...