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Were he to apply the same program across the color line, of course, he might see that race conflicts which continually erupt into politics could be short-circuited--in part at least. For a program which met the needs of both the black and white communities, and involved loans, self-help, and very few hand-outs, could be the basis of a new politics--a politics which did not have to tax one group to give hand-outs to another--and a politics which could take a long step towards the political reconstruction of the ideal of community and cooperation...

Author: By Gar Alperovitz, | Title: An Unconventional Approach to Boston's Problems | 4/22/1968 | See Source »

Occasionally, Johnson would erupt, recalling the "whirlwind President" of 1964. His popularity rating spurted when he met with Soviet Premier Alexei Kosygin at the Glassboro summit and impressed him as a man to be reckoned with. Johnson ended one of the long silent spells with his now-famous "new look" press conference, during which he prowled a makeshift stage in the East Room of the White House like a restless tiger, exuding confidence and control. Before an A.F.L.-C.I.O. convention in December, he lit into the Republican "wooden soldiers of the status quo" who were poleaxing his programs in Congress...

Author: /time Magazine | Title: Man Of The Year: Lyndon B. Johnson, The Paradox of Power | 1/5/1968 | See Source »

...Whiteley stop there. Above his self-portrait erupt five flat thought balloons, containing a photo of a nude torso, a tube of oozing white oil paint, a fungoid dream landscape with a bit of highway, a montage of Hitler in a motorcade emoting into a zebra-striped speech bubble-and a question mark. The whole is obviously meant to depict the varied factors that Whiteley believes shaped his artistic sensibility; the balloons are also signs pointing to Whiteley's belief that life is a journey to be traveled and that it is dominated by the demonic force of history...

Author: /time Magazine | Title: Painting: Plaster Apocalypse | 11/10/1967 | See Source »

...rest of the world is ready to adjudge America as an excessively violent country in which brutal, irrational force can erupt any minute on a massive scale. This view is reinforced by the sheer driving energy of the U.S. It seems confirmed by the American folklore of violence-the Western and the gangster saga-which audiences all over the world worship as epic entertainment and as a safe refuge for dreams of lawless freedom. In a very different way, the view of America the Violent is also reinforced by the Vietnamese war, in which critics both at home and abroad...

Author: /time Magazine | Title: Essay: VIOLENCE IN AMERICA | 7/28/1967 | See Source »

Martin Kilson, assistant professor of Government, and E.U. Essien-Udom, author of the famous Black Nationalism (written at Chicago under Edward C. Banfield) were anticipating, based on their knowledge of Negro lower class culture and the Muslim phenomenon, that the ghettoes would soon erupt into riot. "What's going to stop them?" Epps would ask. "Negroes like you," was their reply...

Author: By Harold A. Mcdougall, | Title: AAAAS: Negro Students Test Liberalism | 6/15/1967 | See Source »

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