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Word: erykah (lookup in dictionary) (lookup stats)
Dates: during 1997-1997
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...Mariah as Erykah Badu. The other track that stands out on Butterfly-and not just because so much of the album is monotonous tripe-is a jazzy novelty called "The Roof," essentially a narrative description of a late night rendezvous above a city sky-line. Like Badu, D'Angelo and other artists in the rising Black Bohemian movement, Mariah shows a willingness to glide through her whole vocal range, layer her melodies and isolate a specific moment of romantic rapture. The idiosyncratic rhymes and loose rhythm track help make the song as unique and attention-getting as most...

Author: By Nicholas K. Davis, CRIMSON STAFF WRITER | Title: LIGHTER THAN AIR | 9/19/1997 | See Source »

CHRISTOPHER JOHN FARLEY, author of this week's story on the hottest new music-video directors, was struck by a coincidence while interviewing such artists as Sean ("Puffy") Combs, Missy Elliott and Erykah Badu. "They were all using the same directors," he says. "So I thought, Let's take a look at them." Farley, whose acclaimed novel, My Favorite War, is due out in paperback from Ecco, will soon be starring in a production of his own: his marriage to former TIME correspondent Sharon Epperson, now an on-air reporter for CNBC...

Author: /time Magazine | Title: Contributors: Sep. 1, 1997 | 9/1/1997 | See Source »

Several newcomers, most notably Williams (who did Mary J. Blige's lush clip Everything), Paul Hunter (Erykah Badu, Sean "Puffy" Combs), Jonathan Glazer (Radiohead, Jamiroquai) and Floria Sigismondi (Marilyn Manson, Tricky), have risen to the challenge. As a result, the directors themselves are becoming MTV stars. Williams and Hunter have almost become brand names; each has a colorful, highly recognizable style, and hip-hop stars--and even some alternative bands--are rushing to work with them. All four of these directors are up for multiple awards at next week's MTV Music Video Awards, and all four are starting...

Author: /time Magazine | Title: THE NEW VIDEO WIZARDS | 9/1/1997 | See Source »

...vibe that I bring to this is the voice of free black women," she says. "Black women who are confident, sure of themselves in their sexuality, confident in their spirituality." Yet more black artists deserve to be on Lilith's bill. Lilith organizers say they tried to reach out; Erykah Badu was offered a slot on the tour but turned it down. On the other hand, Laura Love, a black, folk-tinged, Seattle-based singer-songwriter with a fine new album, Octoroon, asked to be part of Lilith and was passed over (the organizers say that with 584 submissions, they...

Author: /time Magazine | Title: MUSIC: GALAPALOOZA! LILITH FAIR | 7/21/1997 | See Source »

...slide. Such music, on the surface, is gentle enough to slip onto radio playlists, but down deep there are ideas, there is emotion, there is life: the haunting, melancholic feel of McLachlan's new tune Angel; Fiona Apple exploring her post-rape trauma on her heart-rending Sullen Girl; Erykah Badu imagining the life of a gangsta's girlfriend on her soulful Otherside of the Game. Other promising acts from this school are on the way. An advance copy of British trip-hop folkie Pauline Taylor's just-finished album indicates she is a blazing talent; Austin, Texas-based singer...

Author: /time Magazine | Title: MUSIC: GALAPALOOZA! LILITH FAIR | 7/21/1997 | See Source »

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