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Mr. Kendrie began the program with deBeriot's brilliant Concerto No. 7. He received especial recognition for his rythmic playing of Dvorak's "Humoresque." The best technical facility and effective coloring was shown in Wieniawski's "Obertass."

Author: NO WRITER ATTRIBUTED | Title: Music Recital Much Appreciated | 3/23/1912 | See Source »

Saint Saen's septet for trumpet, strings and piano, formed the piece de resistance, a work which in spite of obvious defects has a strange attraction considering the archaic and persistently impersonal character of its musical sentiment. It is, however, well worth hearing, if only to mark the enormous advance...

Author: By E. B. Hill ., | Title: MUSICAL CLUB CONCERT | 12/19/1911 | See Source »

Where the performances throughout were of so high an order, it were invidious either to single out the most excellent features of the concert or to comment on short comings, but the violin playing of Mr. Kendrie in the Grieg Sonata, the singing of Messrs. Hanscom and Hancock, Mr. Moeldmer...

Author: By E. B. Hill ., | Title: MUSICAL CLUB CONCERT | 12/19/1911 | See Source »

Throughout his lecture, Dr. Grenfell gave examples of how Christ's influence works itself out in the lives of men, with especial relation to the professions of doctors and lawyers. Christ teaches that the effective use of learning is not simply intellectual, but that like our life the important thing...

Author: NO WRITER ATTRIBUTED | Title: CHRIST AND THE INDIVIDUAL | 12/9/1911 | See Source »

The Club, formed in 1908, has already 1500 members, and as there are over 8000 Harvard men in Greater Boston the need of a clubhouse is apparent. In addition to graduates living in Boston, the clubhouse would be of especial value in extending hospitality to non-resident graduates constantly coming...

Author: NO WRITER ATTRIBUTED | Title: BUILDING FOR HARVARD CLUB | 12/8/1911 | See Source »

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