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...story is a Hecht original: a great dancer (Ivan Kirov), subject to fits of homicidal insanity, marries a budding ballerina (Viola Essen), who hopes that his dancing and her love will work a cure. Great Teacher Judith Anderson and threadbare Impresario Michael Chekhov, torn between terror and balletomania, hover unhappily in the wings. Another sideliner, Poet Lionel Stander, grates out Mr. Hecht's own highly debatable views on Love & Art, and dashes an occasional gruelly tear from his granitic eye. To climax a triumphant tour, the dancer's mind finally cracks and he turns...

Author: /time Magazine | Title: The New Pictures, Jun. 24, 1946 | 6/24/1946 | See Source »

...capacity for hard work matched his own. Chief weakness of George Antheil's alert score is the absence of Spectre's traditional music (Carl Maria von Weber's Invitation to the Waltz). Among the film's good points: young Kirov's tormented athleticism; Viola Essen's fresh beauty; the rich, workmanlike performances of Miss Anderson and Mr. Chekhov...

Author: /time Magazine | Title: The New Pictures, Jun. 24, 1946 | 6/24/1946 | See Source »

...said one Briton) to equip and help train a new French Air Force. The U.S., pressing for economic unity in Germany, suspended reparations shipments from its zone. The British did not immediately follow suit, but the betting was that ten war plants (including part of the Krupp works at Essen), ready to be shipped to Russia, would not be moved...

Author: /time Magazine | Title: International: Bristling | 6/10/1946 | See Source »

...evidence is plain in the great plants which dot the countryside, or lie just outside the devastated cities. The Krupp plant in the center of Essen is a classic example of what bombing can do: a waste of shattered walls, twisted girders, rusting steel. Yet the main Krupp foundry at Rheinhausen is virtually untouched. With other Krupp plants, it could turn out 60% of Krupp's normal steel production...

Author: /time Magazine | Title: International: THE UNDEFEATED | 6/25/1945 | See Source »

...Essen I talked to an industrialist who was sitting in his bare room, playing Mozart on a violin. I remarked that it would be easier to abandon the present site of Essen and go into the open country and build there. No, he said, they had considered that. But they had decided that it would be easier to rebuild Essen on its present site: electricity conduits, gas and water mains were already in the ground...

Author: /time Magazine | Title: International: THE UNDEFEATED | 6/25/1945 | See Source »

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