Word: establishments
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Dates: during 1950-1959
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...solid months burrowing through the brain-creasing mysteries of some of the most complex music ever written, finally organized the program to his satisfaction. Then he spent five hours a day for a week whipping, coaxing and teasing 56 musicians into condition to play it. The result should establish Monod as a conductor of stature...
With the help of old photographs, newsreels, and excerpts from previous motion pictures about her, the film presents a brief outline of Miss Keller's early efforts, under the tutelage of Annie Sullivan, to establish some means of communication with the world and win an education at Radcliffe. The most effective parts of the movie, however, are those which show a routine day in her life at her Connecticut home. With frequent flashes of humor, her eagerness for even the smallest of new experiences here stands revealed. Since she possesses a singularly photogenic face and a beautiful smile...
Although no legislator could find "anything wrong with the bill," Glogsky said, the original emergency preamble, by which the law could have taken immediate effect, was voted down. This means that the incorporators cannot legally establish the corporation for 90 days...
...brutal story of treachery unfolded at the trial. Strasserra was an authentic hero of the resistance, with an unimpeachably anti-Fascist record. Trained by the OSS at Bari, he and an aide were slipped into Genoa in mid-1944 to report German troop movements and to establish liaison with resistance groups. When he lost his radio in a Gestapo raid, he and his companion lit out for the hills. He found Devil Moranino, and assuming him to be a fellow patriot and partisan, asked Moranino to get him to Switzerland, where he would be able to re-establish contact with...
Copland: Piano Concerto (Leo Smit, piano, Radio Rome Symphony Orchestra conducted by the composer; Concert Hall). Sometimes called the "Jazz Concerto," this was written in 1926 (three years after Gershwin's Rhapsody in Blue) and went far to establish Copland as a characteristically "American" composer. It is a fairly lurid work, with emphatic syncopations and jazz-age atmosphere; it still works, but it has become pretty corny...