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That the ceriness seldom if ever borders on the ridiculous is the achievement of all concerned with the production. The outstanding contributions are those made by Esther Junger's dances and special staging effects, by George Jenkins' superb sets and lighting, and by Carol Stone's performance as Barbara and James Lanphier's as the boy, but the entire Shubert production displays great balance and skill. And, despite its long travels since it was born around the corner at the Brattle Theatre two summers ago, and since it first appeared in Boston under the Shubert banner, "Dark of the Moon...

Author: NO WRITER ATTRIBUTED | Title: The Playgoer | 5/16/1946 | See Source »

After 134 years, the U.S. paid the last installment on the bill for the War of 1812. Esther Ann Hill Morgan, 88, daughter of a soldier who fought in the Battle of New Orleans, and the last U.S. citizen eligible for an 1812 pension, died last week in Independence...

Author: /time Magazine | Title: VETERANS: Account Closed | 3/25/1946 | See Source »

...Champion Swimmer Esther Williams, prettiest amphibian of them all, sliding and slithering through water lilies...

Author: /time Magazine | Title: Cinema: The New Pictures, Mar. 25, 1946 | 3/25/1946 | See Source »

...choice for "woman of the year." Also huzzah'd: Dean Virginia Gildersleeve, 68, of Manhattan's Barnard College; All-But-Abstract Painter Georgia O'Keeffe, 58; Choreographer Agnes de Mille, 36; Novelist I. A. R. Wylie (The Young In Heart), 60; Johns Hopkins Psychiatrist Esther Loring Richards, 60; Shakespearean Actress-Director Margaret Webster, 40; Radio Program Director Margaret Cuthbert, 52; New York Times Editorialist AnneO'Hare McCormick, sixtyish; International Business Machines Vice President Ruth Leach, 29; and New Jersey's Congresswoman Mary T. Norton...

Author: /time Magazine | Title: People: People, Feb. 18, 1946 | 2/18/1946 | See Source »

Strange Fruit (adapted from Lillian Smith's novel by the author, with the assistance of Esther Smith; produced by José Ferrer), on the stage, as in book form, pulls no sociological punches. But the play lacks dramatic punch. A fledgling Broadway playwright, Lillian Smith too often wobbles in her storytelling, too often fails to pick up the dramatic scent. An unconverted novelist, she has gamely but unwisely tried to transfer to the stage the whole life of a Georgia town. The result is far less spacious than sprawling...

Author: /time Magazine | Title: New Plays in Manhattan, Dec. 10, 1945 | 12/10/1945 | See Source »

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