Search Details

Word: ests (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...catching panoply of ballet maneuvers, from chastely classic lifts to Broadway shuffles, set to an eclectic score (by Alan Raph and Lee Holdridge) that blends the modish and the modal. The climax is a joyous, foot-stamping, yet thoroughly unblasphemous rock version of the Ite, missa est chant that ends the Latin Mass. At the diminuendo finale, the dancers lay rows of votive lights across the stage and drift silently, monkishly, into the wings...

Author: /time Magazine | Title: Music: Verve, Nerve and Fervor | 11/16/1970 | See Source »

...est...

Author: /time Magazine | Title: Letters: Oct. 19, 1970 | 10/19/1970 | See Source »

...years old-one works only six hours a day four days a week. That is just enough for my trips and my audiences. They don't need me. The "plan" has settled things in advance.' Then, pointing to Kosygin rowing, 'Le plan, c'est...

Author: /time Magazine | Title: France: Third Person Singular | 10/19/1970 | See Source »

...selves dictated by the convictions (whims) of the director. It becomes impossible to make a movie about repression, for any movie is repression. The auto-critique, the attenuated scenes of actors applying make-up, the unmoving shots held for four minutes at a time, transform Vent de L'est from movie into "movie": it details Godard-once again-confronting his form, denouncing its inadequacies, and translating the whole process into story...

Author: By Martin H. Kaplan, | Title: The New York Film Festival Twelve Nights in a Dark Room: You Can't Always Get What You Want | 9/29/1970 | See Source »

That story, though, is excruciatingly boring. Godard never said he was interested in entertaining; now, it appears, he disdains even deception. When his early movies dealt with film, even tangentially, they did so with provocative wit and a serene, pungent charm. Vent de L'est, however, says at its audience, Your bourgeois concern for my movie is as contemptible as my regard for medium. "Realism," Godard once said, "is never exactly the truth, and the realism of cinema is obligatorily faked." In Vent de L'est, even the lies are faked, and the incessant, didactic narrators are finally...

Author: By Martin H. Kaplan, | Title: The New York Film Festival Twelve Nights in a Dark Room: You Can't Always Get What You Want | 9/29/1970 | See Source »

Previous | 160 | 161 | 162 | 163 | 164 | 165 | 166 | 167 | 168 | 169 | 170 | 171 | 172 | 173 | 174 | 175 | 176 | 177 | 178 | 179 | 180 | Next