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...allowed two students enrolled in the course to give gallery talks. “It turns out that we had to create two extra spots, because the interest in giving gallery talks was so good,” says Muir. Ultimately, even the two extra slots were insufficient; Muir et al. have decided to let students give their gallery talks in pairs, permitting eight students total the opportunity to give presentations...

Author: By Daniel B. Howell, CONTRIBUTING WRITER | Title: Exhibit Complements Art Core | 3/10/2005 | See Source »

...Lately I’ve been swamped with a zillion records. Stuff I like—Chris Rock’s new album Never Scared is hilarious—he does his Michael Jackson skit, et al., and the Sri Lankan/London native M.I.A. whose parents were in the Tamil Resistance—she mixes dancehall with a lot of cool South Asian material, and then of course, there’s my new album Drums of Death with the folks from Slayer and Public Enemy. I listen to a lot of different styles, so that tends to flow through...

Author: NO WRITER ATTRIBUTED | Title: Freestylin': DJ Spooky, a.k.a. Paul Miller, In His Own Words | 3/10/2005 | See Source »

...best guess is that Lawrence, Reeves, et al. get away with Constantine precisely because it is so flagrantly wrong. It patches together myth, history, and fiction with such postmodern glee that no single injury or injustice in its plotline piracies can be found...

Author: By Steven N. Jacobs, Laura E. Kolbe, and Scoop A. Wasserstein, S | Title: Movie Reviews | 3/10/2005 | See Source »

...best guess is that Lawrence, Reeves, et al. get away with Constantine precisely because it is so flagrantly wrong. It patches together myth, history, and fiction with such postmodern glee that no single injury or injustice in its plotline piracies can be found...

Author: By Steven N. Jordan, Laura E. Kolbe, and Scoop A. Wasserstein, CONTRIBUTING WRITERS AND CRIMSON STAFF WRITERS | Title: Movies: Bride and Prejudice, Constantine, Hitch | 3/3/2005 | See Source »

...best guess is that Lawrence, Reeves, et al. get away with Constantine precisely because it is so flagrantly wrong. It patches together myth, history, and fiction with such postmodern glee that no single injury or injustice in its plotline piracies can be found. Cinematically, Constantine sets the stage for its myriad “borrowings” and patchworking of sources with an opening sequence of scenes that overtly steal virtually every movie trick in the book...

Author: By Laura E. kolbe, CONTRIBUTING WRITER | Title: Movie Review | 2/24/2005 | See Source »

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