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...most of all, the album simply avoids the usual pitfalls of live albums—poor sound quality, tone-deaf guitar work, inane stage banter, etc. James Lynch and Marc Orrell’s guitars roar without overpowering the songs; indeed, two of the Murphys’ most rousing offerings (“For Boston” and a strangely moving “Amazing Grace”) feature enigmatic bagpiper Spicy McHaggis. Even the audience comes through in the clutch, shouting lyrics word-for-word when charismatic frontman Al Barr’s voice drops out. Of course, nothing...
SWEET HOME ALABAMA. Like most recent vehicles for Reese Witherspoon’s wide-eyed spunk, Sweet Home Alabama is all about being out of place, usually with native charm shining against cold elitism (see Legally Blonde, Cruel Intentions, etc.). This time, Witherspoon plays Melanie, a trailer trash expat who reinvents herself as a New York fashionista. Her blue-blooded boyfriend (Patrick Dempsey) rents out Tiffany’s to propose to her, but there’s just one little bit of unfinished business: she’s still married to her high school sweetheart. When she goes home...
...questions that bedevil society and recognize that our professors don’t entirely either. Our futures are shrouded in uncertainty. Specifically, liberal need to understand that conservatives often, though not always, have the same ultimate moral goals as (many) liberals (e.g., equality of opportunity, minimize hunger, etc.) but take different routes to those goals. Conservatives need to appreciate that sometimes, though it might be difficult to believe, liberals come to their beliefs after plenty of hard thinking about an issue...
While there are certainly aspects of this job that I will be all too glad to leave behind—horrible food, Carolina heat, communal bathrooms, etc.—the overall experience has been immensely positive and has reinforced my beliefs about the importance of gifted education. I plan on enjoying my last week here at Duke with my kids and then I’ll grudgingly leave with a wistful smile—to paraphrase the old saying, I’ll try not to let the door...
...Jennifer Garner ("Alias") got deserved nominations for showing us that acting does make a difference, even in action thrillers. (If you ever read a "24" script and then watch what Kiefer's stone-cold-sumbitch performance does for its workmanlike thriller dialogue - "Trust me on this one, Nina!" etc. - you will be ready to give him not just an Emmy but a Nobel...