Word: etcher
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Dates: during 1930-1939
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...Galleries, Artist Young presented a show which cooled its beholders with 77 etchings and drawings most of which were his famed snow studies, demonstrated that he was an accomplished limner of other subjects as well. Sidling crabwise around the exhibit's two rooms, gallery-goers noted that Etcher Young skilfully shows his snow in three varieties: 1) wet, soft and falling; 2) powdery, windblown; 3) frozen. Like all good etchers Artist Young was able to make pleasing esthetic capital of his bare, black trees, winterset in the tranquil snowscapes. Contrasted were plates from the conventional etcher's portfolio...
...sketch book and put it away for their grandsons to look at when buffleheads, woodcock, black-breasted plover, wild turkeys and the like are extinct. Artist Hunt is the man who makes animal stories look so attractive in fiction magazines. This volume testifies eloquently that he, like Etcher Frank Benson, has gone to nature for his learning, really knows his game. The publisher will somewhat exasperate his customers by including only four color prints, and one of those a too-streamlined conception of canvasback, but the black & white pages are made warm by the artist's pencilled notes...
...first annual exhibition of professional Yale artists. Graduates responded enthusiastically. Over 70 Yale artists sent 116 pictures, 23 pieces of sculpture. In age exhibitors ranged from 87-year-old Edwin H. Blashfield (1914 Hon.) to recently graduated John Stull (1934). Other famed exhibitors: Muralist Eugene Francis Savage (1924); Etcher Troy Kinney (1896); Sculptor Wheeler Williams (1918); Satirist Reginald Marsh (1920); Portraitists Augustus Vincent Tack (1912), Deane Keller...
Born in Philadelphia in 1870. Maxfield Parrish inherited his talent from his father. Etcher Stephen Parrish. Comfortably off, he was sent to Haverford college, later to Pennsylvania Academy of the Fine Arts in Philadelphia. There he began experimenting with that deep luminous color with which he was later to win his popular renown. Not until he went to Paris did he learn the trick from copyists of Flemish and Italian primitives. A Maxfield Parrish sky starts with a wash of thin plaster on a prepared board, followed by a coat of pure ultramarine blue. Successive layers of transparent blue glazes...
...Etcher Eby came out of the War with a sure mastery of his own craft and a virulent horror of what he had been through...