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Died. Childe Hassam, 75, painter & etcher; after nearly a year's illness; in East Hampton, L. I. A pioneer importer of French Impressionism, he was sometimes pigeonholed as a "luminist" for his deft dealing with illumination and color won little recognition until after 40. In 1920 he reported earnings of $100,000. Said Childe Hassam: "There is no such thing as modern art; there is only good...

Author: /time Magazine | Title: Milestones, Sep. 9, 1935 | 9/9/1935 | See Source »

...Terrace last year dragged her on snowshoes to the Katonah railroad station in time to catch a train for Boston where he took Best of Breed in spite of frost-bitten feet. The last time she told the story was at a gathering in the Manhattan studio of an etcher where Nunsoe Due de la Terrace had not only had his portrait etched but where he himself unveiled the work by yanking a rubber mouse attached to the cord attached to the curtain on the easel (TIME, Dec. 17)Nunsoe Due de la Terrace of Blakeen's unofficial name...

Author: /time Magazine | Title: Sport: Duke v. Marquis | 2/25/1935 | See Source »

Patient on his haunches sat Nunsoe Duc de la Terrace of Blakeen until Etcher West tossed him a rubber mouse. To the mouse was attached a string which was attached to a curtain which was attached to an easel. Passionately the poodle pounced on the mouse, pulled the string, drew the curtain and unveiled a first proof of Etcher West's latest work: a portrait of Nunsoe Duc de la Terrace of Blakeen...

Author: /time Magazine | Title: Art: Ceremony | 12/17/1934 | See Source »

Luis Quintanilla, 39, muralist, etcher, humanist and Spanish Republican, held his first one-man show in the U. S. last week. Pierre Matisse was his sponsor, Ernest Hemingway and John Dos Passos his patrons and apologists. On the sober walls of the Matisse Gallery 39 of Quintanilla's etchings were lined up, all handsomely mounted and glassed. Critics, collectors, and ladies in long mink coats all hurried up to see them. But Luis Quintanilla was not excited. In Madrid behind the bars of the Central Prison he was fighting for his life...

Author: /time Magazine | Title: Art: Luis Hoosegowed | 12/3/1934 | See Source »

Following the centennial of the birth of James Abbot McNeill Whistler, British reporters interviewed Mortimer Menpes, one of the last of Whistler's surviving friends and pupils. Said this etcher and watercolorist, amid the cucumbers and carnations of his Berkshire truck garden : "The curious thing about Whistler was that he was simply no good at the technical side of his job. Even his best-known picture, The Artist's Mother, is fading rapidly. ... He hardly ever talked to us of America except to tell us of his experiences as a midshipman or whatever they call it in the American Navy...

Author: /time Magazine | Title: People, Aug. 20, 1934 | 8/20/1934 | See Source »

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