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Word: etchings (lookup in dictionary) (lookup stats)
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...part requires extraordinary control, an ability to comically etch the distinctions between the rogue as rogue and the rogue as aesthete through consistent variations of voice and gait. Jackel too often mixes the two; under Seltzer's direction, he relies overmuch on standard poses to suggest his aestheticism, his favorite involving arms exhibitionistically extended to each side and face open in a self-satisfied grin. In failing to differentiate sharply enough between the man who plays a part and the part that the man plays, Jackel not only forfeits many of the humorous possibilities of the role but mutes...

Author: By Julia M. Klein, | Title: More Functional Than Aesthetic | 4/26/1977 | See Source »

...Harvard-Epworth Church. There are many weekends when this statement could be made, since their programmers are so solid, but this time it is especially true. Strangers on a Train. Wow! It's malicious, it's visually stunning, and in none of Hitchcock's American films does he etch his characters with such trenchant economy. Best scene: Robert Walker obsessively watches a tennis game with murder on his mind. Everyone else's eyes follow the ball; Walker's follow Farley Granger. (This scene was shot, by the way, on location in the fashionable suburn of South Orange, New Jersey...

Author: By Peter Kaplan and Jonathan Zeitlin, S | Title: Film | 3/11/1976 | See Source »

...more black kids into the school because they fear the fall of property values and they can't afford to exit the scene. And teachers at Madison, who would prefer to have the children of lawyers and doctors as their students, children who don't cut class, don't etch "fuck" on the desks, don't shoot-up in bathrooms, throw up their hands and cry to administrators, "If we can't perform our role as teachers, at least protect us in our role as policemen...

Author: By Fran Schumer, | Title: Prisoners of Class | 12/20/1973 | See Source »

ALTHOUGH Schwarz-Bart is dealing with an epic subject at minimal length, telescoping action and using primitively direct means to etch his characters, he nowhere descends to type. The various slaves and Frenchmen are distinct individuals as well as symbols; a major reason for the purity of Solitude's anger is her heritage, developed beyond that of most other slaves. The fantasies of slave-owners are indictment enough without the glaze of the author's own rancor, and one of the oppressors is almost sympathetic, with strong psychological motivations for his actions as a slave-owner (his father had been...

Author: By Michael Sragow, | Title: 'The Glory of Blackness' | 5/23/1973 | See Source »

...having their names replaced by numbers can take heart. They too can play the numbers game-and all in the name of law and order. Police in Scarsdale, N.Y., have just instituted an antiburglary campaign called Project Theft Guard in which residents may borrow an electric engraving pen and etch their Social Security numbers on such stealable items as TV sets, record players, typewriters, jewelry and bicycles. The home owners are also given stickers declaring THIS HOUSE HAS JOINED PROJECT THEFT GUARD to paste on their front and back doors. The safety measures, say police, will not only...

Author: /time Magazine | Title: The Nation: Security in Numbers | 5/22/1972 | See Source »

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