Word: ethane
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Dates: during 2000-2009
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...looks as though Oscar has stopped thinking of Joel and Ethan Coen as those smart-ass kids from Minnesota. After nearly a quarter-century making movies, they've arrived in style with No Country. It earned the brothers four nominations: three under the own names for Best Picture (i.e., producers), Direction and Screenplay, and with the pseudonym Roderick Jaynes for Editing. Now Blood-letter Paul Thomas Anderson is the potential upsetter; and Jason Reitman, 30-year-old son of Canadian comedy conglomerator Ivan Reitman, is the scion to watch...
...foreign-language film award went to The Diving Bell and the Butterfly, made in France by New Yorker Julian Schnabel, and Ratatouille, set in France but made by Pixar, was the animation winner. Schnabel was named Best Director, and Joel and Ethan Coen got the Screenplay nod for No Country for Old Men. Somehow, NBC -whose president Jeff Zucker has been a belligerent voice against the striking writers - didn't find time in its vacuous hour-long show to mention the writing award...
...Brooklyn brownstone that comprises the set of “Manuscript” suggests a strange mix of adult veneer and inner childishness: Toy action figures stand amid the bookshelves, exposed brick walls, and vases of roses. This contradiction was not only an element of the set (designed by Ethan A. Davis ’10)—it proved to be one of the defining characteristics of this Loeb Experimental Theatre production...
...doing the movie, who’s going to play Moss?’” Brolin says.Shortly after “Grindhouse” filming ended, Brolin learned that he would, in fact, play Moss in a film adaptation from Academy Award winning duo Joel and Ethan Coen.In the story, Llewellyn Moss, a mild-mannered Texan welder, discovers a large cache of drugs and money at the horrific desert site of a drug deal gone bad. He chooses to take the money and must evade the pursuit of a terrifying man guided only by a twisted moral code...
...work was 2000’s disappointing, Billy Bob Thorton-directed effort “All the Pretty Horses”. Consequently, one might expect that Hollywood would once again mishandle the work of one of the literary geniuses of the last century. In the hands of Joel and Ethan Coen, however, these suspicions could not land further from the truth. “No Country for Old Men,” an adaptation of McCarthy’s 2005 novel, will disappoint few. After a stunning string of flops, including 2003’s “Intolerable Cruelty?...