Word: ethane
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...hope is sitting right here”—but told the crowd that they must remember to show employees “that what’s important to them is important to you” in order to inspire true loyalty.Class of 2007 HBS graduate Ethan R. McCusker said he was surprised by the service-oriented tone of the speech. He added that Chenault’s law degree showed that “there are many different paths to a successful career.” Fellow classmate William D. Kunz also lauded the speech...
...Besides Van Sant's, there were four other U.S. films in the Competition - Joel and Ethan Coen's No Country for Old Men, Quentin Tarantino's Death Proof, David Fincher's Zodiac and James Gray's We Own the Night - and none of them received a prize. Readers in the States may be wondering if all four films were less laudable than the nine that won something...
...acting awards went to two performances of grieving spouses. Konstantin Lavronenko was cited for The Banishment, the Russian film about a crumbling marriage, in a slim fortnight for male actors - though Josh Brolin and Javier Bardem would have been more than worthy for their roles in Joel and Ethan Coen's No Country for Old Men. This was a year for les femmes, with many films about woman isolated in their passion or misery. One of those performances, Jeon Do-yeon's in the Korean Secret Sunshine, was the favorite to take Best Actress...
...Speaking of shudders-and returns to Cannes-Joel and Ethan Coen have been going to the festival since 1984, when they peddled their first feature, the murder mystery Blood Simple, in the Cannes Market. They won the Palme d'Or in 1991 for Barton Fink. But the brothers' earlier crime dramas are mere frolics compared to No Country For Old Men-a grim, mostly enthralling version of Cormac McCarthy's 2005 novel about $2 million in missing drug loot. For most of its 122-minute running time, this is a gnarly action movie, a duel between a kind-of-good...
...Blueberry Nights Rethinking the Art of Subtitles Sicko is Socko Three Twisty Delights Archive All-TIME 100 Movies That's how three very good films in the first days of the 60th Cannes Film Festival struck us. Their perplexities are part of their power. One of them Joel and Ethan Coen's No Country for Old Men, is slated to open in the States this fall. The other two - Cristian Mungiu's 4 Months, 3 Weeks & 2 Days and Andrei Zvyagintsev's The Banishment - have won enough acclaim here to give them a good chance of showing up in North...