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Word: etruscans (lookup in dictionary) (lookup stats)
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MUZEEKA, a wry parable about a man who is an Etruscan in his fantasies and a sellout in life, serves as a showcase for Playwright John Guare's eclectic imagination and disarming dialogue. Red Cross, by Sam Shepard, shares the bill...

Author: /time Magazine | Title: Television: Jul. 5, 1968 | 7/5/1968 | See Source »

MUZEEKA has as its hero Jack Argue. He composes rapturous songs from the words on a penny and dreams of being an ancient Etruscan, but he spends his life as an employee of a piped-in music firm and dies in Viet Nam with a unit assigned to fight before NBC cameras exclusively. John Guare's debut as a playwright displays a store of rich imagery and imagination...

Author: /time Magazine | Title: Time Listings: May 24, 1968 | 5/24/1968 | See Source »

When the floods struck the Archeological Museum, they overturned the display cases, shattered the glass and swept off the objects on display. Most of the objects came from the Etruscan tombs and need not only to be recovered but must also be sorted out according to which objects came from which tombs...

Author: By Jonathan D. Fineberg, | Title: Water, Oil and Slime Cover Florence's Art | 12/9/1966 | See Source »

...fountain statue and the spectacular 104-ft.-long Neptune Pool, kept a constant 70° while Hearst lived. The pool was last used as a set for Spartacus, and it required no added props. As laid out by Hearst's architect, Julia Morgan, it is surrounded by two Etruscan-style colonnades, backed by a Greco-Roman temple, and fronted by a marble Birth of Venus. Equally awe-inspiring is the 83-ft.-long assembly hall with an immense 16th century Italian carved-walnut ceiling and a 16th century French stone mantelpiece for which Hearst outbid even John D. Rockefeller...

Author: /time Magazine | Title: Parks: San Simeon Revisited | 11/18/1966 | See Source »

Steaming Courtesans. Now 65 years old, Marini likes to call himself an Etruscan, after those sturdy people who flourished in his native Tuscany before the grandeur of Rome. His figures wear an antique patina. His bronzes are left pitted by their plaster casts or are particolored from carefully ladled-on corrosive dyes; his wooden statuary is daubed with earthy tints, oil paints clinging to the surfaces as in flaking frescoes. Even his lush-thighed Pomonas, named for the ancient Italian goddess of fruit trees, seem like the petrified victims of the last days of Pompeii. But as currently displayed...

Author: /time Magazine | Title: Exhibitions: The Centauricm | 5/27/1966 | See Source »

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