Word: ets
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Dates: during 1930-1939
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...news coverage and the number of its special correspondents, Chicago's Daily News printed last week much matter which the Chinese Government's censors had slashed out of its Shanghai correspondents' dispatches during the Japanese advance to capture Nanking, the former Chinese capital (TIME, Nov. 29, et seq.). Examples of what was slashed...
...Leftist Valencia and only 75 miles from the Mediterranean, though those 75 miles include territory as difficult as any that a modern army could be asked to cross. Leftist General Rojo's capture of all but a few buildings in the centre of Teruel (TIME, Jan. 3 et ante), and the driving of his lines some six miles beyond the city, meant no more than the nipping of that fingernail. In another sense, it was a major victory of the war, for it took the initiative away from General Franco just as he was about to launch his long...
Music for Three Waltzes was written by three homonymous composers. For Act I the melodies are Johann Strauss Sr.'s, popular Viennese bandleader of the mid-19th Century. Act II is credited to his son, Johann Jr., who wrote over 400 dance tunes, many operettas (Die Fledermaus, et al.). Act III's music is by Oscar Straus (Chocolate Soldier...
...Metropolitan Opera's current season Der Rosenkavalier and Roméo et Juliette have been billed as "revivals."' Yet neither had been absent more than three years from the repertory; Rosenkavalier had not even been newly staged. Last week a genuine revival finally did appear. Verdi's Otello, one of his last and greatest works, had not been seen & heard at the Opera House since the days when Toscanini conducted and principal roles were taken by dashing Leo Slezak, gossipy Frances Alda and drama-wise Antonio Scotti...
...Sturdy American Baritone John Charles Thomas (Germont) saved a Traviata (with Vina Bovy and Nino Martini) from absolute mediocrity; dependable molasses-voiced Contralto Bruna Castagna (always affectionately regarded by Manhattan operagoers who knew her when she sang at the lowly Hippodrome) saved at least three operas (Samson et Dalila, II Trovatore, Norma) from a similar fate...