Word: ets
(lookup in dictionary)
(lookup stats)
Dates: during 1970-1979
Sort By: most recent first
(reverse)
...Next year, of course, Lewis, Brown, et, al. will have a season of varsity experience behind them. With the addition of Tony Jenkins from the freshman team and transfer Jim Fitzsimmons from Duke, the prospects could be staggering. "Fitzsimmons has an incredible shot." Lewis said...
More specifically, they are works of theatre, as The Golden Coach (1952) explicitly states and French Can Can (1952) and Elena et les Hommes (1956) elaborate. In these works the personal acting styles of the characters become extravagant to the point of farce. Like the aristocrats of Regle, those of Elena dash about with an apparent anarchy whose larger order imposes melancholy on the film, since this order limits them to acting in a social farce instead of letting them express their individual passions freely. The emotions that end Elena rank with the most complex in cinema. for the film...
...defined in New York, and some critics find this hard to forgive. "It is apparently as easy," snorted one writer in Art forum recently, "to rack up in Los Angeles as an artist as it is to be a stringer of beads. In California, the idea of luxe, calme et volupté is simplified into prettiness and expensive-lookingness...
...look down on football fanatics before I became one myself. My conversion was like Alypus', as described by Augustine in his Confessions: "Quid plura? Spectavit, clamavit, exarsit, abstulit, inde secum insaniam qua stimularetur redire; non tantum cum illis a quibus prius abstractus est, sed etiam prae etiam prae illis, et alios trahens." New, as if to prove the medieval maxim that one must believe in order to understand, I have come to see what all the excitement is about...
...recounts with hostility how she worked for a whole year on a ballet by a young colleague set to Berlioz's Romeo et Juliette-only to have it turned down by the officials because it was "too openly erotic." Another ballet based on a picture by Picasso was also vetoed. Makarova quarreled with the grande doyenne of the Kirov Ballet, Madame Natalia Dudin-skaya, because she "preferred to try and impose her own rather stereotyped interpretation of each part." In spite of these disputes, she concedes: "I was at the top. I had danced all the leading roles...