Search Details

Word: ets (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

Irrelevance spouts rampantly in Et Tu, Babe...

Author: /time Magazine | Title: Time Magazine Contents Page | 10/12/1992 | See Source »

...Baker et al can be certain that some reporter would do this because of long and close experience with the Washington press corps. Many reporters operate differently before, say, a background briefing by some senior official than they do at high-profile, live news events. For example, the behavior of reporters at a live White House press conference--especially the prime time, East room king--is exponentially different from their behavior at the daily, off-camera White House briefings...

Author: By Kenneth R. Walker, | Title: The Debate Debate | 9/29/1992 | See Source »

...Matisse; Alfred * Barr's belief in Matisse's supreme importance to modernism, at a time when the artist was widely considered to be a decorator (albeit a great one), gave New York City a collection of incomparable breadth. Some key paintings are absent, chiefly the crucial Luxe, Calme et Volupte, 1904-05. But there are not many holes in this tapestry, and given the cost of insurance and owners' growing reluctance to expose artworks to the risk of travel, it may be that no museum will ever be able to mount such a show again...

Author: /time Magazine | Title: Art: Matisse The Color of Genius | 9/28/1992 | See Source »

...fall-term regimen of 18.02 et al., on the other hand, didn't flip any emotional switches. And when my half-hearted commitment to the hard sciences began to look even paler in comparison with the devotion professed by those made orgasmic by "multivariable calculus proper," and when I decided in early November that engineering sucked, I found myself in a bind...

Author: By Dante E.A. Ramos, | Title: I Went to MIT My First Year--And Lived! | 7/3/1992 | See Source »

Hidden depths, to be sure. In his finest pieces, Messiaen came closer to articulating the profound horror and supernal beauty of his times than anyone else. The colossal Et Exspecto Resurrectionem Mortuorum, for wind and percussion (1964), may be the most explicit example of his penchant for the ineffable, but the composer's acute sensitivity to the human condition is found in more intimate pieces as well. Chief among these, and his most famous work, is the Quatuor pour la Fin du Temps (1941), for piano, clarinet, violin and cello, a moving confessional made all the more poignant...

Author: /time Magazine | Title: Holy Terror | 6/29/1992 | See Source »

Previous | 118 | 119 | 120 | 121 | 122 | 123 | 124 | 125 | 126 | 127 | 128 | 129 | 130 | 131 | 132 | 133 | 134 | 135 | 136 | 137 | 138 | Next