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...right, Beckett et al would be well advised to note that even if the playwright's name is still be revered among the true believers, his work is not so timeless that it could not benefit from a quick boost by those who'd like to see Samuel Beckett become more than a Cold War artifact...

Author: By Michael W. Hirschorn, | Title: A Beleaguered Beckett? | 12/17/1984 | See Source »

Nicole Galland (Emma) and Brad Dalton (Jerry) also turn in fine performances as the deux et trois of the menage, though they are unable to shake an inability to project the midlife angst of English Big Chillers nearing the big four-oh. Eric Rosencrantz contributes a refreshing dose of Italo-campiness in his waiter cameo...

Author: By Michael W. Hirschorn, | Title: Pseudo-Drama | 12/6/1984 | See Source »

...Jean-Luc Godard and Alain Resnais, Truffaut yanked film into the modernist age. No longer would the screen serve merely as a window through which the spectator sees "real people." Now it could show anything, in any and all fashions. Time could be stretched or collapsed, as in Jules et Jim; the narrative could be interrupted for capricious movie references, as in Shoot the Piano Player; the film could jettison the neat happy ending for a character frozen in indecision, as in The 400 Blows. With these first three features, Truffaut helped provide a new grammar for the international cinema...

Author: /time Magazine | Title: Wild Child, Movie Master | 11/5/1984 | See Source »

...that in his four years he had about cultivated a crop to contend with his mid-'70s Reds. The city and the organization had been waiting somewhat longer, having held on so stubbornly to the World Champion Tigers of 1968-Al Kaline, Norm Cash, Bill Freehan, Jim Northrup et al.-until that whole class expired practically in unison. A tendency to sentiment was understandable, though. In July of 1967, Detroit had hosted one of the biggest and bloodiest of the race riots: 43 people were killed. And the forecast in 1968 was for another heated summer. But the Tigers...

Author: /time Magazine | Title: Sport: Wait Until This Year | 10/8/1984 | See Source »

Even with its frequent sight gags and sometimes offensive humor, Bad Manners offers a glimpse into an American childhood world the "Brady Bunch" et al wouldn't even allow in their outtakes. Still, the humor that might make Bad Manners more than just a fun night out with yourself disappoints in the end. Filmed in under backing, it sports an uneven quality peculiar to low-budget Hollywood. If Bobby Houston follows through with plans to offer a second with a larger budget, Bad Manners II could retain its humor and develop into the better movie it often hints...

Author: By Clark J. Freshman, | Title: One From the Gross-Out School | 9/28/1984 | See Source »

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