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...Habitants" are barely .500 this season, and scalpers have had to settle for face value. But I'm certain a little bit of that old-time hockey religion rubbed off on me as le bleu, blanc et rouge (or le tricoleur, les glorieuses, or whatever else they call their team here) dumped on some losers from Detroit...

Author: By Jim Silver, SPECIAL TO THE CRIMSON | Title: North of the Border | 1/6/1984 | See Source »

...CONTINENTS. For Hall, it has been a rough year on the roller coaster of notoriety, after triumphs in 1982 at the National (including Harold Pinter's Other Places) and the Glyndebourne Festival Opera (where Hall directed Orfeo et Eurydice). But last November he staged Verdi's Macbeth at New York City's Metropolitan Opera to a gang of mostly abusive reviews. Then this summer Hall premiered his production of The Ring of the Nibelung at Bayreuth, and things were no sunnier there. The work opened to bad reviews and an audience that sounded, as one reviewer wrote...

Author: /time Magazine | Title: Show Business: The Perils of Being Sir Peter | 12/19/1983 | See Source »

...designs for Satie's Parade; the paintings of Dufy and Matisse for the imaginary seaside town of Zanzibar in Poulenc's Les Mamelles de Tirésias; Matisse again for the blazing and mysterious red-and-blue moonlit garden in Ravel's L 'Enfant et les Sortilèges; Chinese vase painting for Stravinsky's Le Rossignol...

Author: /time Magazine | Title: Art: All the Colors of the Stage | 12/5/1983 | See Source »

...letter by Geoffrey Bok '84 et. al. in the October 24 Crimson contains some serious misunderstandings about the nature of the final clubs at Harvard. Although the writers are correct in calling attention to the deplorable events at the recent Pi Eta initiation, they obviously do not completely understand the Harvard club system and social situations at other Ivy League institutions...

Author: NO WRITER ATTRIBUTED | Title: Final Clubs | 11/22/1983 | See Source »

...were joined to her head. There was something complete about them; you knew they were there for keeps. When you're a private eye, you want things to stay put." Later, in Yma Dream, Thomas Meehan offers a Carrollian nightmare in which the Misses Chaplin, Sumac, Gardner, Gabor, et al., and the Messrs. Eban, Ehrenburg, Betti, etc., are introduced to Miss Hagen, the actress: "Uta, Yma; Uta, Ava; Uta, Oona; Uta, Ona; Uta, Ida; Uta, Ugo; Uta, Abba; Uta, Ilya...

Author: /time Magazine | Title: Books: Laughing Matter | 11/7/1983 | See Source »

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