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Film: "Jules et Jim" by Truffaut. b/w, 112 Pendleton East...

Author: NO WRITER ATTRIBUTED | Title: WHAT is to be done at? | 10/12/1978 | See Source »

...anyone really believes that Huntington, et. al., were "wrong" in encouraging U.S. destruction in Vietnam, it should be obvious that that caricature of a "war" was the inevitable result of political-economic theories and values which Huntington and scores of other professors here believe in and regularly dish out as gospel truth in classes every day, unchallenged by students. Such professors' inability to see that socialism has a fundamental and genuine appeal to oppressed peoples everywhere, and that privilege and wealth are detested by the poor, blinds them to the essential justness of "revolutionary" movements in the Third World...

Author: NO WRITER ATTRIBUTED | Title: Huntington, Etc. | 10/12/1978 | See Source »

...defense, goalkeeper Billy "B-squared" Blood has made several spectacular saves backing up a web-like Crimson back line. It has yet to be seen, however, whether Blood et al can maintain control in the weird, unsettled situations in front of net that have proved fatal thus...

Author: By John Donley, | Title: The Soccer Outlook | 9/27/1978 | See Source »

Master of Ceremonies Virgilio Noé held a large scroll before him as John Paul I read out his first apostolic blessing, the traditional benediction, urbi et orbi (to the city and to the world). His high voice quavered a bit as he chanted the Latin in lilting Gregorian style. Before the blessing, the new Pope made an unusual gesture, granting "to all" who heard the words?either in person or by broadcast?a plenary indulgence. In Catholic belief, all sins, though forgiven, must be atoned for?either here on earth or, after death, in purgatory. For those truly repentant...

Author: /time Magazine | Title: Religion: A Swift, Stunning Choice | 9/4/1978 | See Source »

Oliver's racing dissonances are as fitting to the bloody drama as Debussy's dreamy impressionism is to Pelléas et Mélisande. But as opera, the music is flawed: the vocal lines are so dense and undramatic that the voices of the mostly young cast get lost. The production is often riveting. In one of the most bizarre scenes, Ferdinand, superbly sung and acted by British Tenor David Hillman, passionately kisses his strangled sister, then rips the red satin lining from her coffin and rushes from the stage...

Author: /time Magazine | Title: Music: A Duo of Duchesses | 9/4/1978 | See Source »

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