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Word: europeanize (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...military banned performances of his plays on army bases, and his request for a passport renewal was denied--forcing him to miss the European premiere of "The Crucible...

Author: By Kevin E. Meyers, CRIMSON STAFF WRITER | Title: Miller Recounts McCarthy Era, Origins of "The Crucible" | 5/12/1999 | See Source »

...military banned performances of his plays on army bases, and his request for a passport renewal was denied--forcing him to miss the European premiere of "The Crucible...

Author: By Kevin E. Meyers, CRIMSON STAFF WRITER | Title: Miller Tells of 'Crucible' Origins | 5/12/1999 | See Source »

...well as precision-guided, Israeli-made missiles that carry 1,000-lb. warheads. Meanwhile, about 12 hours before word of the release reached Washington, Clinton imposed a U.S. trade embargo on the Yugoslav republic of Serbia, intent on choking off the supply of oil to Milosevic's military. The European Union's ban on oil shipments to Yugoslavia went into effect on Saturday. Said White House spokesman David Leavy: "The United States will continue to tighten the screws until our objectives are met." As for Belgrade's decision on the prisoners, Leavy said, "This does not affect the air campaign...

Author: /time Magazine | Title: Mission Improbable | 5/10/1999 | See Source »

...American public, between 1900 and 1950, was distinctly timid about appreciating the work of American artists, and to modernist ones it could be quite hostile. What worked in favor of the art, in the end, was the insatiable appetite for the new that had been built into European America's social contract ever since the Puritans came to Massachusetts to create the New Jerusalem. To Americans between 1900 and 1950, however, the idea of an American Century in the arts--other than popular mass culture--would have made little sense...

Author: /time Magazine | Title: Art: A Nation's Self-Image | 5/10/1999 | See Source »

Early American modernism is filled with European borrowings, from Matisse, Picasso, Kandinsky, Mondrian, Picabia, Leger, etc., etc. Nothing characteristically American there, you might say. But the crux of the identity issue is not the stylistic sources the artists drew on but the experiences on which they used them. It was there that the American-ness of American art hove into view, and it showed itself in two enormous image fields...

Author: /time Magazine | Title: Art: A Nation's Self-Image | 5/10/1999 | See Source »

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