Word: europeanize
(lookup in dictionary)
(lookup stats)
Dates: during 1990-1999
Sort By: most recent first
(reverse)
...recording industry. By 1912, 5 million Americans a day were attending a new entertainment called movies. New Orleans echoed with the sounds that were jumbling together gloriously as jazz. Denizens of Tin Pan Alley were polishing the wit and jaunty lyricism of the pop song and revamping European operetta into an original American theater form: the musical...
...whereas in earlier decades we found them in, say, literature or painting. This stems from the other convulsion the century had in store for the arts in addition to World War I. (Oddly, it wasn't World War II. That conflict's primary impact came from the waves of European artists who fled Nazism for the U.S., enriching the country's homegrown arts and shifting the center of gravity in such fields as painting and classical music...
...Nora and then their two children moved among and around European cities--Pola, Trieste, Zurich, Rome, Paris--Joyce found clerical and teaching jobs that provided subsistence to his family and his writing. His first published book of fiction, Dubliners (1914), contained 15 stories short on conventional plots but long on evocative atmosphere and language. A Portrait of the Artist as a Young Man (1916) provided a remarkably objective and linguistically complex account of Stephen Dedalus, i.e. James Joyce, from his birth to his decision to leave Dublin in pursuit...
...hundred and eighteen years later, his direct descendant, Thomas Stearns Eliot--who would become the most celebrated English-language poet of the century--was born in St. Louis, Mo., to a businessman and a poet, Henry and Charlotte Eliot. Although young Tom was brilliantly educated in English and European literature and in Eastern and Western philosophy and religion, he fled--in his mid 20s--the career in philosophy awaiting him at Harvard, and moved to England. There he married (disastrously), met the entrepreneurial Ezra Pound and, while working at Lloyds Bank, brought out Prufrock and Other Observations. Five years later...
What struck him most, as his memoir, Satchmo: My Life in New Orleans, attests, was the ceremonial vigor of the people. Ranging from almost European pale to jet black, the Negroes of New Orleans had many social clubs, parades and picnics. With rags, blues, snippets from opera, church music and whatever else, a wide breadth of rhythm and tune was created to accompany or stimulate every kind of human involvement. Before becoming an instrumentalist, Armstrong the child was either dancing for pennies or singing for his supper with a strolling quartet of other kids who wandered New Orleans freshening...