Word: europeans
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Dates: during 1930-1939
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...When we say that the Europe of tomorrow will be Fascist we base this on facts, and particularly on new states, not only European, which have linked themselves with those which initiated the movement of recovery. There is no doubt, for example, that Japan is liberating herself from the parliamentary miasma which she acquired a few decades ago, and which today arrests her vital elan. We fully understand and justify this elan. The squeals of spinsters and the sermons of archbishops make us laugh...
...prospects for European peace are better than they were a few months ago," said Ambassador Davies, indicating that this conclusion figures in his report to President Roosevelt. "Incidents which prior to 1914 would have precipitated war have occurred in the recent crisis, but have been localized without an outbreak of general hostilities...
...Back in Moscow last week, U. S. Ambassador Joseph E. Davies explained that his tour of 14 European capitals was no personal junket but ordered by the State Department, since President Roosevelt wants to know how other countries feel about the U. S. S. R., now the biggest buyer of U. S. war goods (see above...
Portraitists. Three European portraitists, two serious and one not, showed their wares to prospective patrons. At the Newhouse Galleries Austrian Dario Rappaport, skilled painter of such illustrious opposites as Frank B. Kellogg, Benito Mussolini, Pope Pius XI and Bebe Daniels' grandmother, took the palm for traditional solidity. At the Marie Sterner Galleries Arthur Kaufmann, capable and colorful German emigre, showed character studies of the late George Gershwin, Luise Rainer as a plain and pensive 17-year-old in Düsseldorf. At the Georgette Passedoit Gallery were 23 oddities by a healthily impudent 21-year-old Danish girl named...
...reproduction of a draughtsman's work, lithography would be popular with artists because of the purely tactile pleasure of drawing in crayon on smooth stone. Since its discovery 139 years ago, this youngest of the great printmaking processes has been a valued sideline of many an important European and U. S. painter, the mainstay of at least one indubitable master, Honore Daumier. In spite of having cluttered up the earth with a God's plenty of "chromos,"† it has remained a fine as well as a commercial art. At the Boston Museum of Fine Arts last week...