Word: europop
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Dates: during 1981-1981
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...Webber was to compose a score that did not sound like outtakes from The Pirates of Penzance. Because of this metrical restriction, Lloyd Webber could not have matched the profligate melodiousness of his score for Evita if he had tried. He has not; he works mostly in the loud Europop vein, hurling his listeners up against the caterwaul...