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Those disenchanted with the run-of-the-mill and seeking films by the likes of Truffaut, Fellini and Cocteau can satiate their Euro-urge at The Brattle Theater (40 Brattle St.). Up until July 11, the cozy movie house will feature its annual Janus Film Festival with movies by popular Eastern and Western European directors. Films from the fifties like James Dean's classic Rebel Without A Cause and and an occasional late night 1960s film will round out the rest of the summer. The Janus Theater (57 JFK in the Galeria) also shows foreign films, though it is currently...

Author: By Charles C. Matthews, | Title: Entertainment is Up When the Lights are Down | 6/23/1985 | See Source »

...Portela Military Airport in Lisbon, the final stop on the Reagans' Euro- pean trip, they were greeted by President Antonio Ramalho Eanes. Portugal's leader is one of Reagan's biggest European boosters, and the crowd waved American flags and held up a banner reading WE LOVE REAGAN. At the Portuguese parliament, the President laughed off another Communist walkout ("I'm sorry that some of the chairs on the left seem to be uncomfortable") and hailed the host country's eleven-year-old democracy. Said Reagan: "It is the democratic world that is flexible, vibrant and growing --bringing its people...

Author: /time Magazine | Title: A Message for Moscow | 5/20/1985 | See Source »

...comment that being gay is "almost a kind of fashionable thing at Adams" was taken out of context, and entirely distorted the point I was making. I did make reference, as The Crimson noted, to the "artsy Euro-fag reputation" of Adams House, but only to explain that it is at best superficially accurate. Being gay at Adams is supposedly fashionable, but in actuality being heterosexual is just as fashionable. Sexual preference is not a matter of fashion and, happily, it does not make a difference at Adams House. Name Withheld Upon Request

Author: NO WRITER ATTRIBUTED | Title: Not A Matter Of Fashion | 3/4/1985 | See Source »

...found it close to home. By the late '70s, Bowie had worked with synthesizers and what he calls the "Euro-techo sound": lots of strange, synthesized instruments serenading one another like computer banks pitching woo. On Let's Dance, he wedded those sounds to old rhythm and blues undercurrents and an idle jazz strain?as he says, "everything from Little Richard to John Coltrane." The result, modeled on "music that used to lift me up and make me feel really happy," was less a return to basics than a reappraisal of them...

Author: /time Magazine | Title: David Bowie Rockets Onward | 7/18/1983 | See Source »

...Brittan, assistant editor of London's Financial Times, said that the mood known as "Euro-gloom" was due to the fear of an "employmentless expansion." "Outside of France and Italy," said Brittan, "we will get growth rates not all that different from the U.S.'s. But the difference is that they will not bring any relief for the jobless...

Author: /time Magazine | Title: Europe: Some Smoother Seas | 6/27/1983 | See Source »

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