Word: evas
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Dates: during 1920-1929
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...Edward A. MacDowell, widow of the late Composer MacDowell, for her musicaliterary colony in Peterborough, N. H.; in 1925, Cora Wilson Stewart, for her Moonlight Schools, and her work discouraging illiteracy; in 1926, Sara Graham Mulhall, for her work decreasing the drug traffic; in 1927, Actress Eva Le Gallienne, for her organization of the Civic Repertory Theatre in New York City...
Many new singers are on the Chicago list this year. The sopranos are: Frieda Leider of the Berlin Staatsoper, in her heyday, like Olszewska and well-established in Europe; Margarita Salvi, young, slender and Spanish; Eva Turner, English and ebullient; Alice Mock, a Californian with European experience, to make her debut as Micaela in the opening Carmen; and Antoinetta Consoli of Lawrence, Mass.. who will sing Frasquita; Marion Claire, 24-year-old Chicagoan; Hilda Burke, Baltimorean; Patricia O'Connell, Alabaman and daughter of a New York Times staff writer. Contraltos: Ada Paggi, Italian, and Coe Glade, 22-year...
...Cherry Orchard. Alia Nazimova, the most caricatured actress of her generation, returned, out of vaudeville and the cinemansions of the west, to the Civic Repertory Theatre in Eva LeGallienne's sensitive if not inspired production of Chekhov's last play, The Cherry Orchard. The Cherry Orchard is not especially adaptable to translation; its sly and sad description of improvident aristocracy, vaguely cheerful in the face of ruin, is a little forlorn in a strange tongue and a new country, as its people are forlorn in the airy chaos of change. The Civic Repertory did far better with...
...Would-Be Gentleman is an excessively poor translation of Moliere's title Le Bourgeois Gentilhomme; the rest of the modernized adaptation with which Eva Le Gallienne's Civic Repertory Theatre opened its season was not so strikingly bad but it somehow made the old farce act its age. Only the scene wherein M. Jourdain superintends ironic and Turkish nuptials is as funny as the arty members of the audience thought the rest...
...action, the excitements of this play are entirely cerebral though not for that reason ineffective. They lead to no action on the stage but to telling wrinkles in the cool and capable forehead of Eva Le Gallienne, as the lady who is complexedly distressed...