Word: evas
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Dates: during 1920-1929
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...arrival in Boston during the weeks that lectures are suspended of such an abundance of dramatic offerings as the present spring has produced? That crusader for the better things of the theater. Walter Hampden, has already done successful battle with Shakespeare, Then and Browning and departed for other regions. Eva in Gallienne, leader of the New York Civic Repertory Theater, sill touches the tragic depths at the Hollis, and to descend a moment from the sublime, last night saw the opening of Able's Irish Rose with the "original New York company". Last but probably most important on the list...
Several well-known producers with whom the University Players are consulting, and who have expressed interest in the work are Eva LeGallienne, founder and director of the Civic Repertory Theatre in New York, Winthrop Ames and Robert Edmund Jones...
Hollis at, 8.15--Eva Le Gallienne and the New York Civic Repertory Theatre present various serious productions. Some of the best acting there is to be found...
...Eva Le Gallienne and Walter Hampden lead to Boston companies that have won wide and merited fame. In contrast to the frothy fare typical of so much of the stage, they have both chosen substantial material. Isben is no easy author to interpret, but Mr. Hampden has not stinted his labor, and represents Shakespeare with a Hamlet over whom cynical reviewers have grown enthusiastic...
...Sloan's Liniment. For such is the method of attack, when dealing with a piece such as "The Madcap". The nectar is in the summing up of the performance of Mitzi, upon whose shoulders hangs the entire production. This lady, reminiscent of the Duncan sisters in "Topsy and Eva", is really highly amusing. Regardless of when she was at her prime, presumably before what Professor Merriman chooses to call "the late unpleasantness", she still can put her personality across. She knows how to act, and particularly how to act funny...