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...Chemistry with my fellow jumpers was really key, as far as collaborating routines went,” Reed notes. “That’s certainly carried over for me on the track and even beyond...
...Remember Me” drips with melodrama. There is simply too much of the “poor rich boy” sentiment that reeks of a poorly executed homage to Salinger. At one point in the film, Aidan even accuses Tyler of being “nihilistic,” which is surprisingly accurate. The film’s “carpe diem” message is lost in its saturation of emotional fits and Tyler’s fixation on his brother’s suicide. Even the central theme is not entirely supported as the film?...
...film about one of the most perplexingly idiosyncratic, mannered, and sincere bands going, this question perfectly summarizes the sentiments of the audience as they sit through 93 minutes of tour footage where the band members never quite reveal the pretense—or if there even is a pretense—behind their show of weirdness. Unfortunately, despite its musical strength, “Under Great White Northern Lights” provides little response to the fan’s question, opting instead for an unfocused, superficial look at the White Stripes...
...comes about naturally. Likewise, Steinberg’s Hosea preaches from experience, not divine ecstasy. This is the story as a modern writer—uncomfortable with the idea of a too personal God and drawn to a materialistic understanding of human affairs—would tell it. Thus, even as Steinberg draws upon the Bible for his inspiration, he distances himself from it. Through this lens, “The Prophet’s Wife” is one theologian’s attempt at rational rapprochement with the Bible, and in this case, the idea of inspired prophecy...
...public and literary luminaries—Elie Wiesel, Cynthia Ozick and Harold Kushner among them—all suddenly seizing the coattails of this rather obscure rabbi now six decades deceased, and adorning “The Prophet’s Wife” with glowing blurbs, introductions and even back-of-the-book commentaries. If there is a lesson beyond the theological to be derived from “The Prophet’s Wife,” it is that this is a genre worth reviving. Steinberg never finished his book, but its publication reopens the door...