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Bendorf is a theatrical powerhouse by any standards. Not many undergraduates, even the most artistically driven, can say they’ve performed in nine theatrical productions, assisted with another 18, and even directed one—all while being a member of the Radcliffe Pitches, VoxJaxx, the Harvard-Radcliffe Gilbert and Sullivan Players (HRG&SP), and other performance-minded campus groups. This spring, alongside Jordan A. Reddout ’10, Bendorf has been awarded the Radcliffe Doris Cohen Levi Prize, which recognizes students with outstanding talent and enthusiasm for musical theater...
...want to be a math major,” says Bendorf, who proceeded to create a special concentration: Dramatic Literature and Practice. She describes the concentration as over 50 percent English Literature, with supplementary courses in acting, stage design, dramaturgy, and other performance-based classes. She even enrolled in a one-on-one tutorial about Stephen Sondheim with her advisor, Professor Robert Scanlan. “What other Dramatic Arts courses are there?” says Bendorf. “I’ve taken them...
...Golden Age and its decline. In a culture where the public is inundated with the 24-hour news cycle, paparazzi pulp, and celebrity gossip, an author is going to be hard pressed to capture an audience already exhausted with the idea of the tell-all tale, even if he is trying to lampoon...
Like most Palahniuk books, “Tell-All” will probably satisfy the core readership of his books, though even they may be disappointed by the lack of Chuck’s usual revelations. Since starting his career almost fifteen years ago, Palahniuk has been a champion of the groundbreaking and the avant-garde. Though “Tell-All” may have been groundbreaking 20 to 50 years ago, it seems unlikely that it will resonate as much with an audience today—one that feels it already knows too much about celebrities...
...training that I and many of his other dancers have,” says Marin J. D. Orlosky ’07, a dance associate at the Office for the Arts at Harvard, “he has a unique gift for embodying dance styles—and sometimes even specific choreography—after only watching a dance a few times...