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Nevertheless, both teams admit that show dancing—rather than competition—is where their work truly becomes an art. Almost theatrical in nature, non-competitive performances require the dancers to tell stories using their bodies as media. Performers can communicate a storyline even before the dancing begins through costuming...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: Athletes and Aesthetes | 4/13/2010 | See Source »

Dance teams are even judged on how well costumes convey the theme and mood of the piece. CDT wore glittered black and purple outfits reminiscent of the night sky for their “Midnight” piece two years ago. This year’s vibrant red costumes were cut dramatically to suggest the fury of a woman incensed by her ex-lover, as the song dictated...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: Athletes and Aesthetes | 4/13/2010 | See Source »

...sense.” Mamet’s words of advice for the young actor are wise. A veteran playwright and director, he knows as well as anyone else that there is a lot of pabulum passed off as legitimate acting technique or theory. More importantly, he knows that even some rudimentary logic can deflate the argument of a charlatan...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: David Mamet’s Overstated ‘Theatre’ | 4/13/2010 | See Source »

...Even when he praises other artists, the compliments seem oddly back-handed. In a chapter about Great American Plays, he lauds many authors, but gives special credit to Thornton Wilder for “Our Town.” Mamet has some intriguing thoughts about how the play utilizes language with verisimilitude to American dialect. The problem is that he insists that “the vulgate, the actual language of the people can be found only in the cultural anathemas known as popular entertainment.” This argument is tenuously developed to a frustrating conclusion...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: David Mamet’s Overstated ‘Theatre’ | 4/13/2010 | See Source »

...well, and much of language in “Theatre” has the colloquial feel of dialogue, which does little to lend credibility to his opinions. Rhetorical questions abound—many of which he subsequently answers himself. The phrase “blah blah blah” even makes an appearance...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: David Mamet’s Overstated ‘Theatre’ | 4/13/2010 | See Source »

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