Word: evening
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Dates: during 1940-1949
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...President Edens, however, Duke should go even farther. The Tennessee-born president, onetime-teacher in a one-room schoolhouse who rose to become associate director of the Rockefeller Foundation's General Education Board, wants to make Duke's graduate schools stronger still. "Our intellectual resources in the South," says he, "exceed all other resources. Yet none of these resources has been more neglected at the highest level." Founder Duke had wanted his university to be one of the nation's top producers of "preachers, teachers, lawyers and physicians, because these . . . can do most to uplift mankind." President...
...conceded that, academically, Oxford was topnotch and that things like "Magdalen Deer Park on a medium cloudy day" were pretty fine. But as for everything else, mourned Burdick: "Youf writers have lifted the illusion so high, and war, proximity, and perhaps even the dollar shortage have forced reality...
...fell for the last time, the Cohens had taken in about $4,000 in cash from their $28,000 windfall. After lawyer bills, warehouse rentals, auctioneer's commission, taxes and Mrs. Cohen's five weeks' lost salary were deducted, they hoped they would just about break even. Sighed Mrs. Cohen: "I never hope to win anything again. Once is enough...
Touch and Go (sketches and lyrics by Jean & Walter Kerr; music by Jay Gorney; produced by George Abbott) is that never too common object, a lively topical revue. It has a nice sassy way of cutting up-once or twice, even, into murderously small pieces. But it can be genuinely funny as well as sassy, and it disdains rented jokes and reupholstered sketches. Campus bred,* the show has much more pertness than polish; it tends to slouch around with its socks hanging down, and it has the amateur's faith in the pen to the exclusion of the blue...
...promptly points out that the gift is doubtless really a bribe. At the end, thanks to the prodding of his wife's rebellious lover, Crocker-Harris shows signs of rebelling too-a final twist of theater in a work that, despite its realistic trappings, is actually all theater, even though it is effectively contrived and played...