Word: evening
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Dates: during 1960-1969
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With 4:31 gone in the final session, Bruno Vogt fired a spectacular centering pass in front of the Tiger net and smashed the ball home before it even touched the ground...
Roszak doesn't consider all of this; he worries that the technocracy will succeed in reducing all men to automatons, forevermore. No chance. It is too late now. Even the technocracy cannot save itself from...
...that there is a consistent pattern running through American interventions in such places as Greece, Lebanon, Iran, Guatemala, Vietnam, Dominican Republic-a pattern of suppression of elements that are unfriendly to American businesses, propose radical land reform, threaten "stability" (a stability favoring the "haves"), or are anti-American (or even dangerously non-aligned). American foreign policy is seen as motivated largely by a desire for profits and, related to this, by a desire for domination and control over the destinies of others. These desires are rationalized by equating the interests of the World with American national interest and perhaps...
...same project also spawned the publication of a critical, hardly imperialist, book written by an African, the late George S. Mwase's Strike a Blow and Die: A Narrative of Race Relations in Colonial Africa (1967). The Center has indulged, supported, even cossetted this kind of scholarly inquiry: indeed, if Hyland wants to blow his mind, he is welcome to read the galley proofs of a 1500-page book, soon to be on the radicalized newsstands, called Power and Protest in Black Africa. It follows the course of anti-colonial and anti-neo-colonial agitation in Africa from...
...spent some time in Brazil working on a documentary, and his intimate familiarity with the repellent conditions in towns used as bases for American business ventures is boldly apparent in the film. He built an entire town from scratch for his set north of Nimes in France, and was even toying with the idea of moving the set to North Africa to evoke the appropriate atmosphere. The set is reminiscent of the milicu one generally sinks into in a Graham Greene novel - remote, desolate, and treacherous...