Word: evening
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Dates: during 1960-1969
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...myth," Roszak means "that collectively created thing which crystallizes the great, central values of a culture." As the sine qua non of all scientific knowledge, objective consciousness is the foundation upon which the technocracy has built its citadel. Even in our most private lives, we pay homage to that citadel all the time...
...more plausible explanation for the inhumanity of technocratic capitalists than the supposed social deficiencies of technocratic capitalism. And it is the only explanation for the unconcern of all of us as science undertakes the objectification and mechanization of everything human: intelligence, moral judgment, teaching, creativity, play, even child-making. As Roszak comments, it was once thought that such things were done for the joy of the-doing. Scientific culture, however, "makes no allowance for 'joy,' since that is an experience of intensive personal involvement." Nothing stands in the way of Progress...
...primarily psychic: they are trying to get out of their heads and to explore the forgotten, non-intellective, human powers. They want to open themselves up to the totality of human experience. But no one can shake off a life-time of indoctrination in amonth or a year. Even as they aspire to joy, love, and honesty, too often their objective minds, which know better, laugh cynically...
...counter culture. Many theorists have enyisaged a time of technological case and abundance, and most people in the counter culture have gone right along with them. Now Roszak comes and levels a damning attack not only at technology, but at science as well I have the feeling that even while he was writing about pure science, he was reacting to the perversions of technocratic science. But he has nevertheless opened the debate. The counter culture now has to decide: Should it learn to live without technology? And, should it learn to live without scientific expertise and scientific knowledge...
Roszak especially treasures the visionary experience of great artists and poets. But he means even more than that. Taking the counter culture's naturalistic impulses to their extreme, he calls for a new adoption of what Buber called "pansacramentalism," a deep, mystical appreciation for all beings, animate and inanimate...