Word: evening
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Dates: during 1970-1979
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...case, storytellers have been embroidering on the Nativity texts for nearly 20 centuries. Sometimes it is to make the Holy Family more believable, often it is to make events even more miraculous. Many of the inventions of art and literature are so ingrained that people regard them as part of Holy Writ. The beasts that appear at the manger, for instance, are not mentioned in the Bible. Neither is the number of the Magi. The names Caspar, Melchior and Balthasar and the legend that Balthasar was black were popularized in the 8th century. Partly to make it easier for Catholics...
...sustaining force of human affection in dire adversity and the taxing journey to the root core of one's identity. The play at Manhattan's New Apollo Theater achieves these ends, thanks in part to an arresting performance by Film Actor Gere (Looking for Mr. Goodbar, Yanks). Even greater thanks are due David Dukes for his extraordinarily intuitive portrayal of Horst, a man rounded up by the state for having signed a petition demanding rights for "queers." To put this in proper historical perspective, some of the earliest Nazi party stalwarts were distinctly "bent." On the "Night...
...Townshend, who wrote an ironic song about tour life called Romance on the Road, not yet released, is in typical fashion drawn in both directions about it. He can see through the romance like a pool, even as he dives into it. "He's perfectly capable of getting off the plane in New York and staying drunk for the entire tour," says one of his friends. A talk with Townshend at the best of times is a hopscotch game in a minefield. This is part of what he means when he says, with some melodrama and a strong measure...
...know what this music means, know its power and its necessary mutability. They also know what it means to the kids, not just a quick charge and an antic rush in a minute of concert footage but a change as potentially profound as any art can work, and even more immediate. All of this is in the four lines of Music Must Change that Townshend sings quietly, almost to himself...
...this was rock's reflection of Pop art, happenings and autodestruction, how the demolition was an action critique of material values. But until the destruction came to be expected and then required, all this razing was never phony. Anyone in the audience could tell those instruments were extensions of, even surrogates for, the four blessed, blitzed maniacs in the band. That was not Pop art onstage; it was a gang...