Word: evening
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Dates: during 1990-1999
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...album's first song, "I'm Comin'," where Smith tells his audience to relax about the millennium because "It's not the second coming of Christ, it's the first coming of me." Smith's collaboration with MC Lyte and Ali, "Who Am I?," has a chorus that even the most jaded listener will sing along to. And for New Year's Eve, a copy of Willennium will be just as vital as the canned Spam and flashlights when you're waiting for the ball to drop...
...About My Mother are continuously cloaked in red. Thus, dress provides no clues as to where scenes of tension replace scenes of relaxation. Visually, each scene has an obnoxious similarity to the one before. Despite the melodrama and technique slip-ups, Almodvar allows the women to learn about themselves even though each woman creates a new reality within her existence. Manuela pretends to be a poor theater aficionado, Agrado pretends to be a real woman, Huma wishes to run from a heart broken by her cocaine-snorting junkie girlfriend, and Sister Rosa must hide from the order and her parents...
...Waddell to define her style and without the flutter of an eyelash she unrolls a crisp definition: a combination of Mary Quant, Monrian, '60s mod and Versace. She likes to use polyesters because they wash easily and vinyls even though they don't. She looks for combinations of colors and textures on the right side of flashy-bright and spectacular without being glitzy. She can be quite experimental in her choice of materials, constructing pants and jackets from yellow caution tape or police line. Despite the repetitive warnings of these pieces, Waddell's clothing crosses artistic boundaries, erring even into...
...surprising to hear that Waddell is not a huge theater fan. She confesses that she wouldn't watch half as many shows as she does now if she weren't involved in the costume design. She was so wrapped up in the costumes for VI that she didn't even know the name of the show till the dress rehearsal...
...audience is overexposed to Bendrix, the opposite is true of Sarah. Even after a cumbersome transition section built around her voice-overs, the character is only hazily defined. Rather than attempting to tackle the book's complicated explanation of Sarah's take on her marriage and affair, Jordan chooses not to address the matter at all, leaving the viewer (and the woefully underutilized Moore) in the lurch...