Word: evening
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...Sadly, even the more original tracks like “C.P.U.” lack structural interest; chorus meets verse meets chorus until the track fades out. “Hey Elevator” is also frustrating, simply repeating the chorus’ two lines at the track’s end, layering one line upon the other without much tonal or vocal variation. One song, however, does break from this monotony. “Dance Floor,” the album’s first single, succeeds in shaping for itself a dramatic arch. About two minutes...
...words of Kennedy School professor Lant Pritchett, “the de jure process no longer has any real claim on the behavior of the agents of the state, who are following a different de facto set of procedures” that have basically institutionalized corruption. Even new elected officials or new laws will not change the expectation that a bribe needs to be paid to get something done...
Beauvoir’s “The Second Sex” has since succumbed to obsolescence. New paradigms, denying the structuring of sexual difference as a binary opposition, claim to relegate Beauvoir’s text to a realm of secondary importance. Yet, even if Beauvoir never unequivocally answered the question she posed, she provided the terms of a debate which remains intensely contested. As Beauvoir’s tombstone turns 24, her legacy—whether fully or pseudo feminist—commands our continued attention...
...sits on the board of the Harvard Vestis Council—a student organization devoted to exhibiting Harvard student designs—would agree. Although Vestis itself has no specific ties to minority communities, Boltik can understand the aesthetic sense behind these connections. “Even if you look at major designers and their influences for a certain design or collection, it comes from different cultures and perspectives,” she says. “They’re not necessarily bringing a focus on diversity or minorities, but making use of a practice of the industry. Maybe...
Before shows can even try to answer these greater questions, each group must garner attention, secure creative participation and, of course, raise money. The three shows face two main challenges in finding funding on campus: none is a stand-alone organization, and all find themselves unable to apply for Undergraduate Council grants due to their charitable status. These shows thus find themselves obligated to look beyond the obvious sources for financial support...