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Word: evenly (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Usage:

...Deana Rich's part, she plans to continue with her annual screenings, even if at some point she ends up paying for them herself. "It's just too scary not to get mammograms," she says. "I know it's not the be all and end all, but it is one screening tool that we do have...

Author: /time Magazine | Title: Mammogram Guidelines: What You Need to Know | 11/20/2009 | See Source »

Some of 50’s more traditional songs are also strong, and a few even grasp at the greatness of his earlier work. “Psycho,” the newest installment in a series of Eminem-50 Cent duets that have appeared on each of 50’s albums, is one of the best songs the two MC’s have made together. One of three Dr. Dre-produced songs on the album, “Psycho” has a slow-moving and tense beat that is punctuated by a sweeping, dramatic string sample...

Author: By Alex E. Traub, CONTRIBUTING WRITER | Title: 50 Cent | 11/20/2009 | See Source »

Once again, Annie turns to her universal metaphor: dancing. In “Heartbeat,” the movements were nostalgic even as they happened—a perfect moment, never to be experienced again. Here, dancing’s role is the more traditional one of a courtship ritual: “If we put our hands together / Yeah, we’re all here for the better / In the music you might discover / And your pulse and your beat and your laugh.” The second track, “My Love is Better...

Author: By Daniel K. Lakhdhir, CONTRIBUTING WRITER | Title: Annie | 11/20/2009 | See Source »

...Don’t Stop” is lacking a signature single. There’s no “Heartbeat” here; there’s barely even a “Chewing Gum.” But it makes up for the absence of immediate standouts by consistently delivering the goods: there are more hooks on this album than some pop artists deliver in a lifetime. From the disco minimalism of the title track to the spaced-out lustfulness of “Take You Home,” this is electropop as it should be?...

Author: By Daniel K. Lakhdhir, CONTRIBUTING WRITER | Title: Annie | 11/20/2009 | See Source »

...whiteface, by contrast, reveals that they are crocodile tears and the audience begins to laugh on cue. Here, the ego of Michael Peterson seems to recede, and the precarious balance between the id and the superego manifests itself in the bursts of violence that are calmly—and even comically—retold by the performative narrator...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Bronson | 11/20/2009 | See Source »

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