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Word: evens (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Mamma knows that she only ordained the obvious. Her Anna Maria was born to entertain. "I was the personality kid," Anne remembers. "When I wasn't sick, I was singing. Even at school they took me from classroom to classroom; I could really put over a song. I put everything into it. I shook my shoulders, rolled my eyes and twitched. I was just a repulsive kid, I guess. I used to break up the class...

Author: /time Magazine | Title: BROADWAY: Who Is Stanislavsky? | 12/21/1959 | See Source »

...school's darkened stage while everyone else was out to lunch. That chance encounter eventually got her a part in a TV production of Turgenev's Torrents of Spring. "Look," says Annie as she tries to find some modest explanation for the fact that she worked even during her lunch hours. "I had no money for malteds and no dates. What the hell was there for me to do but stay onstage when the other kids were...

Author: /time Magazine | Title: BROADWAY: Who Is Stanislavsky? | 12/21/1959 | See Source »

...George Jessel-produced turkey called Tonight We Sing. She played a Roman lady in Demetrius and the Gladiators, a Civil War widow, a carnival aerialist, a gangster's daughter and an interminable list of Indian girls. For one movie (The Last Frontier), with Robert (Music Man) Preston, Anne even became a blonde...

Author: /time Magazine | Title: BROADWAY: Who Is Stanislavsky? | 12/21/1959 | See Source »

Eccentric Alliance. Hollywood gossips kept track of Anne's long and apparently aimless list of dates. Says she: "I wanted to get married-just about anybody would have done. I'd even thought of marrying Jessel." She finally married Martin A. May, nine years her senior, the son of a wealthy ranching family. It was an alliance that seemed eccentric even for Hollywood. Martin was studying law when he met Anne (after five failures at the bar exam, he gave up the effort). He wanted to keep the marriage a secret until he could tell his mother...

Author: /time Magazine | Title: BROADWAY: Who Is Stanislavsky? | 12/21/1959 | See Source »

...first," recalls Director Penn of the Seesaw rehearsal, "she could hardly find the stage. She couldn't stand. She couldn't turn. She'd play with her back to the audience. She was too broad and too vulgar. Even the lawyers and agents connected with the show said, 'She's no good; dump her.' " But Penn had already recognized something Anne's critics had not: she took direction admirably. "I even had to tell her where the jokes were, but once was enough." On the road Gibson would "write a funny line...

Author: /time Magazine | Title: BROADWAY: Who Is Stanislavsky? | 12/21/1959 | See Source »

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