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Word: evens (lookup in dictionary) (lookup stats)
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Actors almost never connect or collaborate as they recite lines; instead, they always seem to be yelling across the stage at one another from atop these purposely unfinished set pieces. Their placement makes them feel even more removed from the audience. Consequently, emotional peaks in the script fall flat. Fish certainly seems more focused on his concept than the story itself...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: A.R.T.’s ‘Paradise’ Feels More Like Hell | 3/9/2010 | See Source »

...meaning Fish achieves with the present-day setting is negated by the baffling stark and technological aesthetic he forces on the show, which works against the script rather than with it. Videos projected onto a gigantic screen throughout the production are particularly off-putting. Even when the video works in a technical sense, it is distracting, unnecessary, and alienating. This is no fault of video designer Joshua Thorson, whose work is actually quite charming by itself. Rather, any video­—even as engaging as Thorson’s—simply makes no sense here, where...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: A.R.T.’s ‘Paradise’ Feels More Like Hell | 3/9/2010 | See Source »

...their complaints, speaking into off-stage microphones while the screen plays clips of silently talking everymen. The effect is sloppy and confusing. If Fish is trying to equate the three workers with modern employees and their struggles, he certainly does not succeed; it is barely discernable what is actually even happening in the scene...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: A.R.T.’s ‘Paradise’ Feels More Like Hell | 3/9/2010 | See Source »

...instead of “The Hexx” because he didn’t have his glasses on—but for the most part, the band remains stunningly unchanged. Always known for their boyish, shambling charm, they seem similar to their former selves of 10 or even 15 year ago. Bob Nastanovich still stands tambourine in hand, Malkmus’ haircut is identical, Mark Ibolds’ basslines and pigeon-like qualities remain pronounced...

Author: By Jessica R. Henderson, CRIMSON STAFF WRITER | Title: Pavement | 3/9/2010 | See Source »

...greatest hits album for this band—whose closest approximation of a hit was 1994’s “Cut Your Hair,” which peaked at the giddy height of 10 on the Billboard Alternative Chart—seems more or less unnecessary, but even when one accepts the notion, this particular collection of songs proves frustratingly off. Many classics make the cut, and the band certainly showcases its versatility, but the album is hurt by glaring omissions and more than a few strange and self-indulgent selections...

Author: By Jessica R. Henderson, CRIMSON STAFF WRITER | Title: Pavement | 3/9/2010 | See Source »

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